Archive for the ‘Doctrines of Demons’ Category

Original Upload on Aug 9, 2010

 It’s a collection of ~13 families that inbreed throughout centuries and hold about 80% of worlds wealth. Rothchilds, Rockefelers, Morgans, etc. They usually live in highly isolated and secured palaces, far away from civilization, castles, etc. They trace their bloodlines back to Nimrod, the founder of Babylon. Below them they have about 6000 of corporate ceo’s through which they control governments and all other things. Most of these people engage in occultic satanic rituals and devil worship.

This video exposes 25 goals that the cult of Illuminati used to turn the world into a current state that it is, paving the way for the Antichrist (mentioned as ‘the director’ in this presentation). Speaker: Ted Gunderson, a former FBI Agent in charge, born November 7, 1928.
Info of the card game is below. Illuminati goals are:
Video by Rifleman0007
1) Men are inclined to evil rather than good.
2) Preach Liberalism.
3) Use ideals of freedom to bring about class wars.
4) Any and all means necessary should be used to reach their goals as they are justified.
5) Believe their rights lie in force.
6) The power of their resources must remain invisible until the very moment that they have gained the strength so that no group or force can undermine it.
7) Advocates a mob psychology to obtain control of the masses
8) Promotes the use of alcohol, drugs, moral corruption, and all forms of vice to systematically corrupt the youth of the nation.
9) Seize citizens’ private property by any means necessary.
10) The use of slogans such as equity, liberty, and fraternity are used on the masses as psychological warfare.
11) War should be directed so that the nations on both sides are placed further in debt and peace conferences are designed so that neither combatant retain territory rights.
12) Members must use their wealth to have candidates chosen to public office who would be obedient to their demands, and would be used as pawns in the game by the men behind the scenes. The advisors will have been bred, reared, and trained from childhood to rule the affairs of the world.
13) Control the press, and hence most of the information the public receives.
14) Agents and provocateurs will come forward after creating traumatic situations, and appear to be the saviors of the masses, when they are actually interested in just the opposite, the reduction of the population.
15) Create industrial depression and financial panic, unemployment, hunger, shortage of food, use these events to control the masses and mobs. and use them to wipe out those who stand in the way.
16) Infiltrate Freemasonry which is to be used to conceal and further objectives.
17) Expound the value of systematic deception, use high sounding slogans and phrases, advocate lavish sounding promises to the masses even though they can’t be kept. Video by Rifleman0007
18) The art of street fighting is necessary to bring the population into subjection.
19) Use agents as provocateurs and advisers behind the scenes, and after wars use secret diplomacy talks to gain control.
20) Establish huge monopolies towards world government control.
21) Use high taxes and unfair competition to bring about economic ruin by controlling raw materials, organized agitation among the workers, and subsidizing competitors.
22) Build up armaments with police and soldiers who can protect and further Illuminati interests.
23) Members and leaders of the one world government will be appointed by the director of the Illuminati.
24) Infiltrate into all classes and levels of society and government for the purpose of teaching the youth in the schools theories and principles known to be false.
25) Create and use national and international laws to destroy civilization.
Video by Rifleman0007

Speaker: Ted Gunderson, a former FBI Agent in charge, born November 7, 1928.

The Illuminati Card Game:
The card game shown in this video is “Steve Jackson’s Illuminati Deluxe card game”. It started as an online RPG in around 1990, and then got so popular that someone printed it. Secret service then tried to locate and confiscate these cards, as they were not suppose to be released so widely. Despite the effort, it made it’s way into a mass print in about 1995, then was stopped in 1997. You can listen more about this card game here:

Steve Quayle Invasion Occupation Destruction 1/3

June 21-2012

Steve Quayle on the Illumanti

“He shall honour the god of forces: a god whom his fathers knew not”… he shall speak great words against the most High, and shall wear out the saints of the most High, and think to change times and laws Dan:7:25;11:38

Background into the players of the Illuminati or Luciferians  
Albert Pike
From Wikipedia, the free encyclopedia
Albert Pike
At the beginning of the American Civil War, Pi...

At the beginning of the American Civil War, Pike was appointed as Confederate envoy to the Native Americans. (Photo credit: Wikipedia)

Albert Pike

Born December 29, 1809
BostonMassachusetts
Died April 2, 1891 (aged 81)
Washington, D.C.
Place of burial Oak Hill Cemetery
Allegiance United States of America
Confederate States of America
Service/branch Confederate States Army
Years of service 1861 – 1862
Rank Brigadier General
Battles/wars American Civil War

Albert Pike (December 29, 1809–April 2, 1891) was an American attorney, Confederate officer, writer, and Freemason. Pike is the only Confederate military officer or figure to be honored with an outdoor statue in Washington, D.C.[citation needed] (in Judiciary Square).

 

“The Masonic religion should be, by all of us initiates of the high degrees, maintained in the purity of the Luciferian doctrine.” (Albert Pike)

From what we have learned, one would half expect to see Lucifer lurking around somewhere in the Freemasonry Organization just as he is in the New Age Movement! …and if that thought has already crossed your mind, you would be right! Manly P. Hall, a 33rd degree Mason, tells us on pg. 48 of his book Lost Keys of Freemasonry, who the real God of Freemasonry is: “When a Mason learns that the Key is the proper application of the dynamo of living power, the seething energies of Lucifer are in his hands and before he may step onward and upward, he must prove his ability to properly apply this energy.”

Washington DC.’s Masonic “House of the Temple” is the headquarters for the Scottish Rite Temple, which is the World’s largest Masonic Organization. It is here that the Masons receive their “honorable” 33rd degree. There are actually 2 golden serpents behind the main altar in Washington DC.’s “House of the Temple”.

We previously learned that Masons do their rituals facing East. When a Satanic Ritual is performed, and the Princes of Hell are called forth, Lucifer, the “light-Bearer” is the god that is called in “from the East”. -Anton Szandor LaVey, The Satanic Bible, pg. 131, 57 And in the book called “The Treasury of Witchcraft,” pg. 170,171, by Harry E. Wedeck, we are told that Lucifer the Light-Bearer “has his home in the East”. We can see Lucifer’s presence all over the Rituals and symbols of Freemasonry!
ALBERT PIKE SPEAKS

Albert Pike, a highly revered 33rd degree Mason, issued this statement on July 14, 1889 to the 23 Supreme Councils of the World: “That which we must say to the crowd is: We worship a God, but it is the God one adores without superstition. To you, Sovereign Grand Instructors General, we say this, that you may repeat it to the Brethren of the 32nd, 31st, and 30th degrees: The Masonic Religion should be, by all of us initiates of the high degrees, maintained in the purity of the Luciferian doctrine.” -Albert Pike

Des Griffin quotes Lady Queensborough’s book, “Occult Theocrasy,” that records Albert Pike’s own words: “Yes, Lucifer is God, and unfortunately Adonay (Jehovah) is also God. For the eternal Law is that there is no light without shade, no beauty without ugliness, no white without black. For the Absolute can only exist as two Gods: darkness being necessary to light to serve as its foil as the pedestal is necessary to the statue and the brake to the locomotive. The doctrine of Satanism is a heresy; and the true and pure philosophic Religion ‘is the belief in Lucifer,’ the equal of Adonay; but Lucifer, God of Light and God of Good, is struggling for humanity against Adonay, the God of Darkness and Evil.” (La Femme et L’ enfant dans La Frac-Maconnerie Universelle, by A.C. De La Rive, pg. 588, and Occult Theocrasy, by Lady Queensborough, pg. 220,221) Quoted from Fourth Reich of the Rich, Griffin, pg. 70,71

Take notice of the ideas presented here by Albert Pike. He is saying that there is an “Absolute” composed of both darkness and light. This of course refers to the pantheistic idea that “God” is a force that pervades throughout all Nature and is both a negative and positive or dark and light force. This is the very same idea that is found in the New Age Religion! Then if that were not bad enough, Pike goes on to say that the “Two Gods” are in a struggle to win the souls of humanity. This of course is the same thought we find in Mithraism, which was ancient Sun Worship, where Lucifer and Jehovah struggle for humanity, but in the end, Lucifer wins!

Albert Pike continues on abusing the truth on page 567 of his book, “Morals and Dogma” by saying, “To prevent the light from escaping at once, the Demons forbade Adam to eat the fruit of ‘knowledge of good and evil,’ by which he would have known the Empire of Light and that of Darkness. He obeyed; and Angel of Light induced him to transgress, and gave him the means of victory; but the Demons created Eve, who seduced him into an act of Sensualism, that enfeebled him, and bound him anew in the bonds of matter.”

The entire statement that Albert Pike made is heresy! He turns the truth upside down, making Lucifer out to be an “Angel of Light” who just wanted Adam to have the fruit of the knowledge of good and evil, and then if that isn’t quite bad enough, he tries to turn Jehovah God into a “demon!”

William Josiah reports: “Very few Masons know that Albert Pike, the highest authority of Freemasonry, the Prince Adept, Mystic Poet, and Scholar of Freemasonry, was himself also the head of the Palladist, another Secret Society which openly worshipped Lucifer and was bent on destroying Christianity, replacing it with the worship of Lucifer himself. Albert Pike the head of Freemasons, was also an apostle of Lucifer.” -Carrico, quoting William Sutton, “Lucifer- Eliphas Levi -Albert Pike and the Masonic Lodge”, pg. 16

Occultist and 33rd degree Mason, Aurthur Edward Waite tells us that Albert Pike was called: “The Pontiff of Luciferian Freemasonry” -Waite, An Encyclopedia of Freemasonry and of Cognate Instituted Mysteries: Their Rites, Literature and History, Vol. II, pg. 253

Albert Pike, “The Pontiff of Luciferian Freemasonry” was the President of the Supreme Dogmatic Directory. In fact, by the year 1889 he even became even more important in the Masonic Organization: “Pike simultaneously occupied the positions of Grand Master of the Central Directory of Washington DC. (the head of the DC. Masonry), Grand Commander of the Supreme Council of Charleston (head of American Masonry), and Sovereign Pontiff of Universal Freemasonry (head of World Masonry).” -William T. Still, New World Order: The Ancient Plan of Secret Societies”, pg. 124

And there has been more recent praise by Masons of Albert Pike, coming from the very head of the Southern Jurisdiction of Masonry. Fred Kleinknecht, who is the Sovereign Grand Commander said, in the January 1989 issue of “The New Age” that the “apex” of our teachings has been the rituals of our degrees and Morals and Dogma (which was written by Albert Pike).” -“A Bridge to Light”, Fred C. Kleinknecht, The New Age Magazine, January 1989 Vol. 97, pg. 1 It was Albert Pike who wrote all of the Masonic Rituals from the 4th to the 33rd degrees! -Henry S. Clausen, Messages for a Mission (Supreme Council, 1977) pg. 20

In the November 1992 Issue of “The Scottish Rite Journal” (which by the way, was called “The New Age” from 1903 till 1990) Kleinknecht again praises Albert Pike and his book: “Correctly understood, Albert Pikes Morals and Dogma provides our brethren a stimulus to thought, a source of inspiration, and even an aid to Scottish Rite growth. Pike’s great work is not the book of an hour, a decade, or a century. It is a book for all time… Abandon Morals and Dogma? Never!” Scottish Rite Journal, November 1992, Vol.100, Number 11, pg. 6

       And Finally here it is in plain English who “The Great Architect Of The Universe” that Masons worship really is: “Lucifer is the equal of the Adonay, with Lucifer the god of light and goodness struggled for humanity against *Adonay the God of Darkness and Evil. Albert Pike had only specified and unveiled dogmas of the high grades of all other Masonry’s, for in no matter what rite, the Great Architect of the Universe is not the God worshipped by the Christians.”Quote from Domenico Margiotta, a 33rd Degree Mason; William Still, New World Order: The Ancient Plan of Secret Societies Page 123

Freemasonry

Part of a series of articles on
Freemasonry
Freemason
Core articles

Freemasonry · Grand Lodge · Masonic Lodge · Masonic Lodge Officers · Grand Master · Prince Hall Freemasonry · Regular Masonic jurisdictions · Continental Freemasonry

History

History of Freemasonry · Liberté chérie ·Masonic manuscripts

 

He first joined the Independent Order of Odd Fellows in 1840 then had in the interim joined a Masonic Lodge and become extremely active in the affairs of the organization, being elected Sovereign Grand Commander of the Scottish Rite‘s Southern Jurisdiction in 1859.[9] He remained Sovereign Grand Commander for the remainder of his life (a total of thirty-two years), devoting a large amount of his time to developing the rituals of the order.[12] Notably, he published a book called Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry in 1871, of which there were several subsequent editions.

Pike is still regarded in America as an eminent[13][dead link] and influential[14] Freemason.

  • Morals and Dogma (1871)

     

    More About Albert Pike

    Picture of Albert PikeAlbert Pike was born on December 29, 1809, in Boston, and was the oldest of six children born to Benjamin and Sarah Andrews Pike.  He studied at Harvard, and later served as a Brigadier-General in the Confederate Army. After the Civil War, Pike was found guilty of treason and jailed, only to be pardoned by fellow Freemason President Andrew Johnson on April 22, 1866, who met with him the next day at the White House. On June 20, 1867, Scottish Rite officials conferred upon Johnson the 4th to 32nd Freemasonry degrees, and he later went to Boston to dedicate a Masonic Temple.

    Pike was said to be a genius, able to read and write in 16 different languages, although I cannot find a record anywhere of what those languages were.  In addition, he is widely accused of plagiarism, so take with a pinch of salt.   At various stages of his life we was a poet, philosopher, frontiersman, soldier, humanitarian and philanthropist.  A 33rd degree Mason, he was one of the founding fathers, and head of the Ancient Accepted Scottish Rite of Freemasonry, being the Grand Commander of North American Freemasonry from 1859 and retained that position until his death in 1891. In 1869, he was a top leader in the Knights of the Ku Klux Klan.

    Incidentally, Freemasonry itself is a fascinating subject and I could devote an entire website to it. Simon Gray, a Freemason, has compiled a stunning amount of information on Freemasonry that I recommend for anyone who wants to learn more about it.

    Pike was said to be a Satanist, who indulged in the occult, and he apparently possessed a bracelet which he used to summon Lucifer, with whom he had constant communication. He was the Grand Master of a Luciferian group known as the Order of the Palladium (or Sovereign Council of Wisdom), which had been founded in Paris in 1737. Palladism had been brought to Greece from Egypt by Pythagoras in the fifth century, and it was this cult of Satan that was introduced to the inner circle of the Masonic lodges. It was aligned with the Palladium of the Templars. In 1801, Issac Long, a Jew, brought a statue of Baphomet (Satan) to Charleston, South Carolina, where he helped to establish the Ancient and Accepted Scottish Rite. Long apparently chose Charleston because it was geographically located on the 33rd parallel of latitude (incidentally, so is Baghdad), and this council is considered to be the Mother Supreme Council of all Masonic Lodges of the World.

    Pike was Long’s successor, and he changed the name of the Order to the New and Reformed Palladian Rite (or Reformed Palladium). The Order contained two degrees:

    • Adelph (or Brother), and
    • Companion of Ulysses (or Companion of Penelope).

    Pike’s right-hand man was Phileas Walder, from Switzerland, who was a former Lutheran minister, a Masonic leader, occultist, and spiritualist. Pike also worked closely with Giusseppe Mazzini of Italy (1805-1872) who was a 33rd degree Mason, who became head of the Illuminati in 1834, and who founded the Mafia in 1860. Together with Mazzini, Lord Henry Palmerston of England (1784-1865, 33rd degree Mason), and Otto von Bismarck from Germany (1815-1898, 33rd degree Mason), Albert Pike intended to use the Palladian Rite to create a Satanic umbrella group that would tie all Masonic groups together.

    Albert Pike died on April 2, 1891, and was buried in Oak Hill Cemetery, although the corpse of Pike currently lies in the headquarters of the Council of the 33rd degree of the Scottish Rite of Freemasonry in Washington, D.C.  (see The Deadly Deception, by Jim Shaw – former 33rd degree Mason and Past Master of all Scottish Rite bodies.)

    The Albert Pike Monument

    Albert Pike made his mark before the war in Arkansas as a lawyer and writer, but as a Confederate Brigadier General, he was, according to the Arkansas Democrat of July 31, 1978, a complete “WASH-OUT,” not a hero.  Yet, Gen. Albert Pike is the only Confederate general with a statue on federal property in Washington, DC. He was honoured, not as a commander or even as a lawyer, but as Southern regional leader of the Scottish Rite of Freemasonry. The statue stands on a pedestal near the foot of Capitol Hill, between the Department of Labor building and the Municipal Building, between 3rd and 4th Streets, on D Street, NW.  More background on the colorful history of the statue can be found at the Masonic Info website.  During the 1992 presidential campaign, Lyndon H. LaRouche and his vice presidential running mate, the Reverend James Bevel, launched a mobilization to remove the statue of General Albert Pike from Washington, D.C.’s Judiciary Square. On February 1, the campaign drew an angry attack from freemasonic leader C. Fred Kleinknecht, who attempted to defend both Pike and the Ku Klux Klan from LaRouche and Bevel’s attack.  A speech by Anton Chaitkin entitled ‘Why Albert Pike’s Statue Must Fall’ can be found here (September 21, 1992).

    The Illuminati and Albert Pike

    Adam Weishaupt (1748 – 1811) formed the Order of Perfectibilists on May 1, 1776 (to this day celebrated as May Day throughout many western countries), which later became known as the Illuminati, a secret society whose name means “Enlightened Ones”.  Although the Order was founded to provide an opportunity for the free exchange of ideas, Weishaupt’s background as a Jesuit seems to have influenced the actual character of the society, such that the express aim of this Order became to abolish Christianity, and overturn all civil government.

    An Italian revolutionary leader, Giusseppe Mazzini (1805-1872), a 33rd degree Mason, was selected by the Illuminati to head their worldwide operations in 1834.  (Mazzini also founded the Mafia in 1860).  Because of Mazzini’s revolutionary activities in Europe, the Bavarian government cracked down on the Illuminati and other secret societies for allegedly plotting a massive overthrow of Europe’s monarchies.  As the secrets of the Illuminati were revealed, they were persecuted and eventually disbanded, only to re-establish themselves in the depths of other organizations, of which Freemasonry was one.

    During his leadership, Mazzini enticed Albert Pike into the (now formally disbanded, but still operating) Illuminati. Pike was fascinated by the idea of a one world government, and when asked by Mazzini, readily agreed to write a ritual tome that guided the transition from average high-ranking mason into a top-ranking Illuminati mason (33rd degree). Since Mazzini also wanted Pike to head the Illuminati’s American chapter, he clearly felt Pike was worthy of such a task. Mazzini’s intention was that once a mason had made his way up the Freemason ladder and proven himself worthy, the highest ranking members would offer membership to the secret ‘society within a society’.

    It is for this reason that most Freemasons vehemently deny the evil intentions of their fraternity.  Since the vast majority never reach the 30th degree, they would not be aware of the real purpose behind Masonry.  When instructing Pike how the tome should be developed, Mazzini wrote the following to Pike in a letter dated January 22, 1870.  Remember that Freemasonry wasn’t started by Pike – rather it was infiltrated by the Illuminati who were looking for a respectable forum in which to hide their clandestine activities:

    “We must allow all the federations to continue just as they are, with their systems, their central authorities and their diverse modes of correspondence between high grades of the same rite, organized as they are at the present, but we must create a super rite, which will remain unknown, to which we will call those Masons of high degree whom we shall select. With regard to our brothers in Masonry, these men must be pledges to the strictest secrecy. Through this supreme rite, we will govern all Freemasonry which will become the one international center, the more powerful because its direction will be unknown.” 1

    In 1871, Pike published the 861 page Masonic handbook known as the Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry.

    After Mazzini’s death on March 11, 1872, Pike appointed Adriano Lemmi (1822-1896, 33rd degree Mason), a banker from Florence, Italy, to run their subversive activities in Europe. Lemmi was a supporter of patriot and revolutionary Giuseppe Garibaldi, and may have been active in the Luciferian Society founded by Pike.  Lemmi, in turn, was succeeded by Lenin and Trotsky, then by Stalin. The revolutionary activities of all these men were financed by British, French, German, and American international bankers; all of them dominated by the House of Rothschild.

    Between 1859 and 1871, Pike worked out a military blueprint for three world wars and various revolutions throughout the world which he considered would forward the conspiracy to its final stage in the 20th Century.

    In addition to the Supreme Council in Charleston, South Carolina, Pike established Supreme Councils in Rome, Italy (led by Mazzini); London, England (led by Palmerston); and Berlin, Germany (led by Bismarck). He set up 23 subordinate councils in strategic places throughout the world, including five Grand Central Directories in Washington, DC (North America), Montevideo (South America), Naples (Europe), Calcutta (Asia), and Mauritius (Africa), which were used to gather information. All of these branches have been the secret headquarters for the Illuminati’s activities ever since.

    Tell Me More About Albert Pike

    Albert Pike’s Background

    Jump to Albert Pike & Three World Wars.

    Very few outsiders know about the intimate plans of Albert Pike and the architects of the New World Order.   In the 19th Century Albert Pike established a framework for bringing about the One World Order.  Based on a vision revealed to him, Albert Pike wrote a blueprint of events that would play themselves out in the 20th century, with even more of these events yet to come.  It is this blueprint which we believe unseen leaders are following today, knowingly or not, to engineer the planned Third and Final World War.

    Albert Pike and Three World Wars

    Continued from Part 1.

    Albert Pike received a vision, which he described in a letter that he wrote to Mazzini, dated August 15, 1871. This letter graphically outlined plans for three world wars that were seen as necessary to bring about the One World Order, and we can marvel at how accurately it has predicted events that have already taken place.

    Pike’s Letter to Mazzini

    It is a commonly believed fallacy that for a short time, the Pike letter to Mazzini was on display in the British Museum Library in London, and it was copied by William Guy Carr, former Intelligence Officer in the Royal Canadian Navy.  The British Library has confirmed in writing to me that such a document has never been in their possession.  Furthermore, in Carr’s book, Satan, Prince of this World, Carr includes the following footnote:

    “The Keeper of Manuscripts recently informed the author that this letter is NOT catalogued in the British Museum Library.  It seems strange that a man of Cardinal Rodriguez’s knowledge should have said that it WAS in 1925”.

    It appears that Carr learned about this letter from Cardinal Caro y Rodriguez of Santiago, Chile, who wrote The Mystery of Freemasonry Unveiled.

    To date, no conclusive proof exists to show that this letter was ever written.  Nevertheless, the letter is widely quoted and the topic of much discussion.

    Following are apparently extracts of the letter, showing how Three World Wars have been planned for many generations.

    The First World War must be brought about in order to permit the Illuminati to overthrow the power of the Czars in Russia and of making that country a fortress of atheistic Communism. The divergences caused by the “agentur” (agents) of the Illuminati between the British and Germanic Empires will be used to foment this war. At the end of the war, Communism will be built and used in order to destroy the other governments and in order to weaken the religions.” 2

    Students of history will recognize that the political alliances of England on one side and Germany on the other, forged between 1871 and 1898 by Otto von Bismarck, co-conspirator of Albert Pike, were instrumental in bringing about the First World War.

    The Second World War must be fomented by taking advantage of the differences between the Fascists and the political Zionists. This war must be brought about so that Nazism is destroyed and that the political Zionism be strong enough to institute a sovereign state of Israel in Palestine. During the Second World War, International Communism must become strong enough in order to balance Christendom, which would be then restrained and held in check until the time when we would need it for the final social cataclysm.” 3

    After this Second World War, Communism was made strong enough to begin taking over weaker governments. In 1945, at the Potsdam Conference between Truman, Churchill, and Stalin, a large portion of Europe was simply handed over to Russia, and on the other side of the world, the aftermath of the war with Japan helped to sweep the tide of Communism into China.

    (Readers who argue that the terms Nazism and Zionism were not known in 1871 should remember that the Illuminati invented both these movements.  In addition, Communism as an ideology, and as a coined phrase, originates in France during the Revolution.  In 1785, Restif coined the phrase four years before revolution broke out.  Restif and Babeuf, in turn, were influenced by Rousseau – as was the most famous conspirator of them all, Adam Weishaupt.)

    The Third World War must be fomented by taking advantage of the differences caused by the “agentur” of the “Illuminati” between the political Zionists and the leaders of Islamic World. The war must be conducted in such a way that Islam (the Moslem Arabic World) and political Zionism (the State of Israel) mutually destroy each other. Meanwhile the other nations, once more divided on this issue will be constrained to fight to the point of complete physical, moral, spiritual and economical exhaustion…We shall unleash the Nihilists and the atheists, and we shall provoke a formidable social cataclysm which in all its horror will show clearly to the nations the effect of absolute atheism, origin of savagery and of the most bloody turmoil. Then everywhere, the citizens, obliged to defend themselves against the world minority of revolutionaries, will exterminate those destroyers of civilization, and the multitude, disillusioned with Christianity, whose deistic spirits will from that moment be without compass or direction, anxious for an ideal, but without knowing where to render its adoration, will receive the true light through the universal manifestation of the pure doctrine of Lucifer, brought finally out in the public view. This manifestation will result from the general reactionary movement which will follow the destruction of Christianity and atheism, both conquered and exterminated at the same time.” 4

    Since the terrorist attacks of Sept 11, 2001, world events, and in particular in the Middle East, show a growing unrest and instability between Modern Zionism and the Arabic World. This is completely in line with the call for a Third World War to be fought between the two, and their allies on both sides. This Third World War is still to come, and recent events show us that it is not far off.

    Steve Quayle Invasion Occupation Destruction 2/3 June 21-2012

    The Second Amendment (Amendment II) to the United States Constitution is the part of the United States Bill of Rights that protects the right of the people to keep and bear arms. It was adopted on December 15, 1791, along with the rest of the Bill of Rights. The Supreme Court of the United States first ruled in 2008 that the Second Amendment protects an individual right to possess and carry firearms.

    In 2008 and 2010, the Supreme Court issued two landmark decisions officially establishing this interpretation. In District of Columbia v. Heller, 554 U.S. 570 (2008), the Court ruled that the Second Amendment protects an individual’s right to possess a firearm, unconnected to service in a militia[1][2]and to use that arm for traditionally lawful purposes, such as self-defense within the home within many longstanding prohibitions and restrictions on firearms possession listed by the Court as being consistent with the Second Amendment.[3]In McDonald v. Chicago, 561 U.S. 3025 (2010), the Court ruled that the Second Amendment limits state and local governments to the same extent that it limits the federal government.[4]

    The Fourteenth Amendment (Amendment XIV) to the United States Constitution was adopted on July 9, 1868, as one of the Reconstruction Amendments.

    Its Due Process Clause prohibits state and local governments from depriving persons of life, liberty, or property without certain steps being taken to ensure fairness. This clause has been used to make most of the Bill of Rights applicable to the states, as well as to recognize substantive and procedural rights.

    Steve Quayle 3/3 Invasion Occupation Destruction

http://eol.jsc.nasa.gov/sseop/TipsForViewingImages.htm

Advertisements

The Vigilant Citizen - Discover the hidden symbolism in music videos, movies and famous landmarks around the world

Ke$ha drinks blood from heart during live show

Mar 14th, 2011 | Category: Latest News |232 Comments

2943 511 72 4532
I have never written a full article on Ke-Dollar-Sign-Ha but I’m pretty sure most of you are aware of her being part of the “let’s degenerate our youth agenda”. In a recent performance, Lady Gaga – sorry, I meant Ke$ha, drank what looks like blood from what looks like a heart in what looks like the reenactment of a blood ritual. All of this while wearing a teared up and faded American flag as a dress. And make-up emphasis on one eye. So uplifting.

“In some occult circle, drinking fresh blood from a heart is said to give maximum magical potency.

SIDE NOTE: Speaking to NME, she recalls the chilling incident: “It came from one of my fans. He said if I wasn’t his then I would be no one’s and he would come and take me. I’m kind of scared he’s gonna make me into a lamp.”

It’s just one revelation shared by the outrageous singer in the latest issue of NME, out today (October 31).

Elsewhere, Ke$ha claims she drank blood from a human heart on stage in Sidney. That was real,” she says. “I did it on stage in Sydney. I think I was hanging out with Alice Cooper too much. I was just really inspired to do it. There wasn’t a very good reason behind it.”

 

MOVE over Ozzy Osbourne, there’s a new blood-sucking shock jock in town and her name is Ke$ha.

But unlike the Prince of Darkness, the 24-year-old Californian hasn’t sunk her teeth into a live animal – yet.

While she’s known for her trashy on-stage antics and expletive-laden monologues, the Tik Tok singer still managed to shock punters at Sydney’s Future Music Festival at the weekend when she drank blood from a heart – to the song Cannibal, of course.

The potty-mouthed pop princess held the heart like a goon bag over her mouth, letting the blood ooze across her face and down her chest on the main stage at Royal Randwick Racecourse.

Covered in glitter and draped in a shredded American flag T-shirt, Kesha Rose Sebert performed much of her 45-minute set dripping in blood.

Ke$ha’s publicist did not return calls yesterday, but the pop star is no stranger to Lady Gaga-style shock and awe on-stage antics.

Her high energy live shows, loaded with as much sexual innuendo as her song lyrics, are inspired by pop predecessors Madonna and Britney Spears and feature six-foot penis costumes, revealing rhinestone-coated outfits and lots of glitter.

– Source: Daily Telegraph

Her target audience is pre-teens.
Do you like where pop culture is heading?

Ke$ha’s “Die Young” is probably one of the most blatant Illuminati videos ever released. While the symbolism is so overt that it is almost ridiculous, there’s an underlying message to the video: Even if you’re dumb enough to embrace all of that Illuminati brainwash, you’re still not part of the elite and therefore, still subject to “Die Young”.

Ke-dollarsign-ha has never been the most inspirational singer around. She started her career as an alcoholic party girl that’s not too strict about personal hygiene (see the Tik Tok line “Before I leave brush ma teeth with a bottle of Jack”) and, for her new album, she turned into some kind of Illuminati witch-type deal. She is far from the only pop star that has gone through this kind of metamorphosis and it was probably pre-planned by her record label. How many singers have gone from an “around-the-way” girl to an Illuminati figurehead? That’s what the industry does.

To the untrained eye this kind of transformation is usually somewhat subtle … Ke$ha’s Die Youngis anything but. In fact, it is one giant clusterfreak of Illuminati symbols. It is so obvious and in-your-face that it forced mainstream music sources such as Billboard.com to “admit” that the video was all about Illuminati symbols (see their article entitled Ke$ha Shouts-Out Illuminati in ‘Die Young’ Video). Interestingly enough, not too long ago, these same sites were calling sites like Vigilant Citizen “batshit crazy” for even alluding to the existence of these symbols and describing their meaning. Now these sites say “Yeah, there are Illuminati symbols” in a matter-of-fact way. What happened to the batshit crazy part? However, the mainstream sites still only refer to this concept in an extremely superficial way, not giving any insight on their true meaning and the real Agenda behind it all.

Some might rationalize what is happening by saying: “Ke$ha did it for the LOLs and to make fun of the conspiracies”. This is plausible, but this argument is now surfacing every time a video contains Illuminati symbolism. Are all videos now making fun of conspiracies? In reality, Ke$ha didn’t do anything for any LOLs. She did not direct the video. She is just performing what she is told to perform, like most pop stars. The fact of the matter is: Illuminati symbols are becoming more prevalent because that was the plan all along: To gradually make them part of popular culture. The occult elite is revealing itself and the masses are dancing to their tunes.

The real issue at stake is however not the symbols that are flashed on screen, but the underlying messages that are communicated to the viewers. It is about the Agenda – about making specific values and attitudes cool and desirable to young people. It is about promoting the culture of death (i.e. Die Young), about sexualizing everything, about materialism, about a corrupted and debased brand of spirituality and so forth.

As I watch Ke$ha and her gang fondling themselves, I can’t help but wonder: Is the video making fun of the masses that have been brainwashed by the lifestyle promoted by the elite?  Let’s look at the video.

An Orgy … Of Symbols

The video takes place in Mexico, where Ke$ha and a bunch of cult followers arrive at a cabin. We quickly realize that the group arriving literally worships death.

As the car door opens, a Skull and Bones symbols flashes, representing the cult of death emanating from this car.

Skull and Bones is also the name of Yale’s elite secret society, which includes members such as George Bush Sr., George Dubya and John Kerry.

Is “Evil” written  on the side of the car?

The car is, in fact, a hearse – these big black cars used to carry dead people. So, yeah, there’s definitely some death-worshiping going on here.

When the hearse is opens, we see Ke$ha in a black veil, posing as if she was some sort of sexual religious statue. She is then carried on the shoulders of her gang of mimbos, as in cultures where people carry statues of the Virgin Mary on the streets.

While this is happening, a bunch of symbols are flashed on the screen. Vigilant Citizen readers probably instantly recognized them.

Ke$ha wearing an All-Seeing Eye ring while hiding one eye. Just making sure you understand who she is working for.

Inverted crosses (a symbol of the Church of Satan) flash about five thousand times during the video. They’re working very hard to make that Satanic crap trendy.

In another scene, Ke$ha and her gang play at pulling tarot cards (to determine who’s the sacrificial lamb of the night?). Ke$ha pulls the “Devil” card and everybody bursts into laughter. So much fun is to be had with Satanic symbols!

Looking at the way Ke$ha’s gang acts, the only word that comes to mind to describe them is “not too bright”. What is the first thing they do when they enter the cabin they drove so far to reach? They trash it. I realize that trashing things is a cool, rock star thing to do, but even drunk rock stars know to trash a place when they LEAVE, not when arrive and actually NEED a facility.

“This place is too nice. Let’s destroy it and then have sex on broken furniture. Yeah, we’re idiots”.

After mindlessly wrecking the place, there is one thing left to do: Mindlessly dance to a generic pop song. Of course, the dancing quickly turns into an orgy, all of which happens with a bunch of occult symbols all around.

Ke$ha sits a the throne of the “orgy”, under a pentacle. While this symbol is not associated with Satanism, it is used in occult rituals, hinting that there’s a Sex-Magick aspect behind all of this.

While this is happening, Ke$ha does the one-eye sign, a way of saying that this sex and death worshiping cult that is full of suggestible idiots (representing the masses) is sponsored by the Illuminati industry.

…the video is also apparently also sponsored by the new Windows Phone thingie. Do like Ke-dollarsign-ha and buy it now! She then sends a text message to “Animals”, which is the name given to Ke$ha fans. Animals. Almost as flattering as Little Monsters.

Throughout the video, symbols are flashed on screen, mainly triangles that are either upright or reversed. In esoteric symbolism, upright triangles represent the masculine principle while reverse triangles represent the feminine principle. The combination of both represents the union of opposites and, in more “human” terms, sexual intercourse. So, while people are frolicking in the video, symbols convey the concept of Sex Magick on an almost subconscious level.

In case all of the stuff happening on screen is not enough to make you understand young viewers that sex is happening there, shots of wolves doing it might light a bulb above their heads. Also, is that a way to give a “shout-out” to bestiality – one of the “guilty pleasures” of the sick Illuminati elite?

The orgy goes on until cops arrive and start shooting. When this happens, Ke$ha walks decidedly towards the armed cops.

Even if you’re dumb enough to be brainwashed by Illuminati propaganda (to the point of having an Illuminati symbol right on your ass), you are not exempt from police state oppression. You might be doing what the elite wants you to do, but that doesn’t mean you’re part of it.

Just making sure you understand who’s sponsoring this video.

Since the song is called Die Young, we are lead to think that Ke$ha is shot and killed by the police.Die Young is therefore yet another video that depicts police state oppression and violence as normal, even cool. The moral of the story? Even if you have been thoroughly brainwashed by Illuminati propaganda and have lived your life according to the debased culture promoted by mass media, you are still a disposable pawn according to the elite. You might believe you are a “rebel” going against “The Man” but you’re actually playing right in their hands. Far from being “enlightened”, these symbols and this way of life are conceived and manufactured by the elite to dumb-down the masses, in order to make them suggestible and manipulable.

The culture of death that is now prevalent in mass media is extremely present in this song. The phrase “We’re gonna die young” is repeated countless times (in a upbeat matter) as if to drill in teenager’s skulls that human life is not valuable. This is right on par with the elite’s depopulation Agenda.

In Conclusion

Readers of this site might be realizing that the symbolism that has been pointed out for years is becoming increasingly prevalent and obvious in mass media. The process is gradual yet very noticeable and the concept of Revelation of the Hierarchy is in full force in the entertainment business. It has been said that the best way of hiding something is in plain sight. The Illuminati symbolism we see in popular culture is becoming so prevalent that it is BECOMING popular culture. While some might claim that “it’s a trend” or that “Ke$ha is making fun of it”, they don’t see the important reversal is happening here: Trends used to come from the streets to then be picked up and reflected by mass media; Nowadays, trends are CREATED by mass media and forced on the world through repetition and omnipresence.

There is however more at stake here than simply the presence of symbols in music videos. There are tons of videos with the same message and symbolism as Die Young – all promoting the same Agenda. Brainwashed by thousands of hours of music videos, young people become like the cult followers in Ke$ha’s video, pushed to live pointless, self-destructive lives based on the gratification of their lowest impulses. Indulging in one’s animalistic instincts has always been considered to be the opposite of reaching spiritual enlightenment – and that’s exactly what the elite wants. If the masses were to gain enough awareness to avoid the traps and pitfalls set up by the system, the virtual enslavement caused by debt and mass-media mind control would crumble.

The way of life “glamorized” by the elite causes people to be lost, devoid of strong values and suggestible to mass-media propaganda. However, in the end, even if they do exactly what is expected from them, the masses are still perceived by the elite as a brainless cattle that needs to be put in its place by a strong police force. As Ke$ha and her fans mindless yell “we’re gonna die young”, thinking they are cool and edgy, they actually unknowingly celebrate their own servitude to a tune created by their rulers. Go Animals!

Ke$ha’s Performance at X Factor Australia: In Your Face Illuminati Symbolism

Nov 6th, 2012 | Category: Latest News |245 Comments

1990 197 108 4624
It’s been pretty much established since day one that Ke-dollarsign-ha is an industry pawn. Well, she’s apparently not done pawning it up. Her recent performance at X Factor Australia is basically one big tribute to the Illuminati. The symbol of the all-seeing eye within a triangle couldn’t be more in your face – it is even on dancer’s clothes. If we’re not seeing that symbol, a bunch of spinning pentagrams are there to hypnotize viewers.And isn’t weird that she repeats ”we’re gonna die young” about 20 times in the song?Here’s the performance.

From Mind Control to Superstardom: The Meaning of Lady Gaga’s “Marry the Night”

Dec 18th, 2011 | Category: Music Business |408 Comments

10.1K 1911 951 17.3K
The music video “Marry the Night” tells the story of Lady Gaga’s rise to fame in the entertainment industry. Oddly enough, her “journey” begins with her describing the symptoms of a trauma-based mind control victim. Is there a deeper meaning to this video? We’ll look at the symbolism of “Marry the Night” and its underlying occult meaning.
Lady Gaga generated a great buzz among her fans when she announced that the video to Marry the Night would reveal a part of her past. Did her fans expect the video to begin with a traumatized Gaga inside a psychiatric ward with a bunch of lobotomized girls? Probably not. But from that strange starting point, the video proceeds to depict Gaga’s rise to super-stardom. How does all of that tie in together? To most, this doesn’t really make any sense. However, to those who understand the relation between trauma-based mind control and the entertainment industry, it makes perfect sense. While many of her previous videos referred to mind control in subtle and symbolic ways (see previous articles on Vigilant Citizen), Marry the Night takes it a step further, pretty much spelling it out. At the very start of the video, Gaga’s monologue defines in unequivocal terms the plight of a mind control victim. Despite her hardships, she says, she is determined to make it in the music business and is ready to do whatever it takes to reach her goal. She therefore “marries the night”, an expression that has a profound meaning.The video is Lady Gaga’s directorial debut and, according MTV.com it is basically a “big thank you” to Interscope Records – the record label that signed her. This is definitely true but the video also says thanks to those behind her record label: the “Night” that she married. Let’s look at the video’s most important scenes.

In the Psychiatric Ward

The intro of the video shows Gaga as the patient of some kind of psychiatric ward. While laying on a stretcher that is pushed by two nurses, Gaga describes the way she perceives reality. Affected by a violent trauma, Gaga escapes into her own world to be able to go on. The mental dissociation that is described by Gaga is in direct accordance with the purpose of trauma-based mind control, the basis of Monarch Programming (see the article Origins and Techniques of Monarch Mind Control for more information). Monarch programming uses various methods, including violence, drugs and abuse to induce violent trauma and cause the victim to dissociate – a natural defense mechanism of the brain. The fracture of the personality that results from the process is then exploited by the mind-control handlers to program within the subject’s mind new “alter” personalities. This is also described in Marry the Night, as Gaga creates a new persona to obtain superstardom.

The process also causes the victims to have huge memory gaps when recollecting the past. In during the intro of the video, Gaga describes how a victim of Monarch programming would perceive reality:

“When I look back on my life, it’s not that I don’t want to see things exactly as they happen, it’s just that I prefer to remember them in an artistic way. And truthfully, the lie of it all is much more honest, because I invented it. Clinical psychologyarguably tells us that trauma is the ultimate killer. Memories are not recycled like atoms and particles in quantum physics. They can be lost forever. It sort of like my past is an unfinished painting and, as the artist of that painting, I must fill in all the ugly holes and make it beautiful again. Its not that I’ve been dishonest, it’s just that I loathe reality.”

Gaga basically says that she went through trauma that was so horrific that it caused her to dissociate from reality. Since she cannot cope with the true nature of her existence, her psyche has “filled in all the ugly holes” and created an inner-world where she can escape and survive mentally. This is exactly what happens with MK slaves, who, while dissociated into their fantasy world, get programmed by their handlers. Gaga then proceeds to describe how her dissociated mind perceives her surroundings.

The nurses wear their caps in a “stylish” way because we are seeing Gaga’s dissociated perception of reality

In Gaga’s reality, the nurses are wearing “next season Calvin Klein” and she is wearing Giuseppe Zanotti shoes. Also, the nurses’ caps are tilted to the side like Parisian berets because she thinks “it’s romantic”. So what we are seeing is not reality, but Gaga’s perception of reality that has been distorted by trauma. Since she loves fashion, the fashion world is integrated in her mental escape to make reality bearable. The premise of this scene is very similar to the movie Sucker Punch (analyzed in the article entitled “Sucker Punch” or How to Make Monarch Mind Control Sexy), where a young patient of a psychiatric hospital dissociates from reality before getting a lobotomy.

Lobotomies also appear to be happening in Gaga’s ward. As she arrives in her room, we notice that it is filled with brain-dead girls with bandages around their heads. This hints that Gaga’s “institution” deals with mind control-related stuff.

On her bed, Gaga speaks with a nurse – who also happened to have delivered her when she was born. This is rather odd (for many reasons) but confirms that Gaga’s existence has been under tight control since her youth. Is this bit part “autobiographical” or fiction? Hard to say.

Something happened to her back

When Gaga turns around, her back reveals that something awful happened to her. The nurse tells her “No intimacy for two weeks”, which hints to the fact that the trauma might of been of a sexual origin. She nevertheless tells the nurse that “she’ll make it” and that “she’ll be a star” because she has “nothing left to lose”. In other words, the trauma she suffered left her lost and empty but that hole can be filled by her two obsessions: fame and success.

The Metamorphosis

After the depressing hospital scene, Gaga is in her apartment when she gets a phone call from her manager announcing that she’s been dropped by her label. She replies “But I’m an artist!”, as if artistic integrity is the top priority of record labels. She then loses it and goes into a topless frenzy involving Cheerios and smudged makeup. The messy scene is juxtaposed with images of Gaga gracefully dancing ballet – as a “true artist”. The two scenes are diametrically opposed yet have noticeable similarities. The ballet scene ends with Gaga topless and crying, indicating that both scenes happen at the same time: One in real life and one in her head.

Gaga topless and crying, like in the apartment scene. This represents how Gaga perceives herself, yet she is rejected by her label.

In the next scene, Gaga is in the the tub, accomplishing a significant task: Dying her hair blonde. Her new alter-persona is being created, the one that will become a pop star.

The transformation from Stefani Germanotta to the alter Lady Gaga symbolized by the dying of her hair blonde. She is beginning to do what is needed to make it in the entertainment industry – A shallow alter-ego that will do what is required by record labels. While she’s doing this, she’s humming “Marry the Night”, something she is actually beginning to accomplish here.

Once the transformation is complete, Gaga says goodbye to her ballet company (were they the ones that were lobotomized earlier?). The “true artist” is gone and the superficial diva is born. The camera stays on the art of the room for several seconds, probably due to its symbolic meaning. (the scene was shot at Snug Harbor Cultural Center in NY).

As the camera pans, we see several interesting things. At the top of this shot is Poseidon, the king of Atlantis with his trademark pitchfork. Although he was probably painted there because the shooting location is a harbor (a nautical place), the god takes another meaning in the context of the video: Poseidon is an important figure in the occult elite’s mythology as he is the king of Atlantis, the place where the Mysteries have originated from. Under Poseidon is a lighted star similar to the Blazing star found in Masonic lodges. Underneath the star is written “The Cross is My Anchor” – a Christian saying – but in reverse. I am pretty that the phrase is not actually written in reverse in Snug Harbor. Why was the image flipped? Does this represent Gaga’s spiritual shift as she “Marries the Night”?

The camera then pans to the room’s oculus (a circular window at the apex of  a dome) with a sun as the pupil of the “eye”. The oculus transitions into a full moon. As the scene turns from day to night, Stefani disappears and Lady Gaga emerges.

Marrying the Night

Most music sites say that Marry the Night is about going out, partying and having fun in New York city. But, as it is often the case with Gaga’s works, the symbolism and the imagery of the video hints at a deeper, more ritualistic meaning. As we have seen above, Gaga is passionately fueled by her drive for success and she appears to realize that the key to make it in the industry is: Initiation. Or, in more sinister terms, selling one’s soul.

In the context of the video, the expression “marry the night takes an almost metaphysical connotation. Marriage is a religious ritual, a binding association between two people. What does it mean when one marries the night? It can mean associating with people who deal in the dark: the occult elite (those we call the Illuminati). It can also signify embracing one’s own flaws and “dark side”. In all cases, there is a definite sense of “rebirth” in the process. And, that’s what we see: A blond Lady Gaga (the alter of Stefani Germanotta) emerges from a Trans-Am dressed in black.

Gaga then goes to “Pop Star Training”. No more ballet, it’s all about doing cool, hip, music video choreography now.

“Yeah, that’s how you need to dance if you want to be on MTV. Go back there and keep doing it”.

Once her training is complete, Gaga is ready for the “big time”. She becomes a glamorous diva and dances what is almost a parody of MTV music videos.

With her cool shades and fashionable backup dancers, Gaga now has what it takes to be a product of the music industry.

We are then treated to a video montage of Gaga living the highs and lows of stardom, complete with gigantic hats, bathroom stall door slamming action and emotionally instability. However, all of this crap pays off: Gaga gets signed to record label.

When you “Marry the Night” (or sell your soul), the doors of the music business magically open. Gaga gets an appointment with Interscope Records.

The video ends with an odd and ominous scene:

In this fiery scene Gaga is dressed in red – the color symbolic of sacrifice and initiation. She is wearing a Paco Rabane hat that is fashionable and symbolic: it completely hides her head. It is owned by the Night now.

Gaga’s live performance on X Factor also exploited the theme of headless-ness in a rather graphic way.

The setting of Gaga’s performance on X Factor emphasizes on the underlying occult meaning of the song. The full moon, the torches and the religious imagery play on the spiritual significance of “marrying the night”. Gaga began the song with her head literally chopped off, a perfect way to describe what figuratively happens to industry pawns.

In Conclusion

Although many describe Marry the Night as a “new direction” for Lady Gaga, the video still exploits her favorite theme: The price of fame. The intro of the video is basically a introductory course in trauma-based mind control, where she describes how dissociating allows her to cope with reality. As the artistic brunette turns into a blonde diva, the Lady Gaga alter-ego is created, one that will do what is required to make it in the music business. The most important requirement is “marrying the night”, which is a poetic way of saying “selling one’s soul” and associating with the dark side. Gaga had to deny everything she previously was to become a brand new person. Therefore, beneath the fashion and the dancing, the video hides an underlying ritualistic theme, as the death of a ballet dancer gives birth to an MTV pop star. From the broken girl who had nothing to lose to international superstar, it took a marriage with the dark side to turn things around. But at what cost? The final scene of the video, complete with hellish fire and a sacrificial red dress tells volumes.

In the grand scheme of things, despite her apparent originality, Gaga brings to the youth a message that is very similar to other pop stars: “Mind control is cool, everyone is doing it” and “Submit to the dark side and you’ll get what you want”. But when things get scary and the night becomes an abusive husband, asking for divorce won’t be an option. Ask Princess Diana.

You might also like:

Lady Gaga’s Bad Romance – The Occult Meaning

Nov 15th, 2009 | Category: Music Business |1415 Comments

29K 1540 1675 50K
Lady Gaga’s videos and performances are extremely symbolic and filled with hidden messages. Her latest video, named “Bad Romance”, describes the dark and ritualistic inner-workings of the entertainment industry, by symbolically depicting Gaga as a sex slave. This article examines the occult symbols present in the video and its hidden meaning.
leadromance
The video for the song Bad Romance is a mix of deep symbolism with sheer randomness, creative fashion with corporate product placements and modern day decadence with religious imagery, all rolled up in a great big music industry celebration. Gaga uses her odd-ball theatrical presence to its full extent to shock, creep-out and fascinate the viewers. If you’ve read my other articles on Lady Gaga (see Lady Gaga, The Illuminati Puppet pt 1 and pt 2), you’ll already be aware of the occult symbols permeating her imagery. I’ve mentioned the presence of mind control elements, of the horned god Baphomet, of secret societies and so on. Far from steering away from those themes, Gaga’s latest offering incorporates all of them in this video, which is a great big metaphor for the music industry. Let’s look at the song.

Concept of the Song

Bad Romance is the first single out of Gaga’s Fame Monster album. If you look back at her past works, the main message of her music is that she is willing to do anything, even sacrifice herself, to obtain fame. The video continues in the same vein by depicting Gaga as a willing victim in the music industry’s shady inner-workings. She wants to live a Bad Romance with the abusive, cruel and satanic music industry. She’s aware of all of its flaws but she still desires to be part of it more than anything else. She is a Fame Monster…she feeds off of fame…she enjoys being famous…if she is not famous, she’ll die or something…you get the picture. At face value, the song lyrics seem to be about her wanting to get “banged” by a kind of psychopath, but the video reveals that the psychopath is in fact the music industry.

The song starts with a weird chant that goes

Rah-rah-ah-ah-ah-ah!
Roma-roma-mamaa!
Ga-ga-ooh-la-la!
Want your bad romance

This is the type of senseless crap drunk people like to yell in those disco dance parties you crazy kids go to. Is there a deeper meaning to it? Gaga announces it in a weird, gothic accent, in the manner of a ceremonial/incantation, a little like the “Bum-bum-bedum” of Rihanna’s Disturbia(article here). Ra, as the name of the ancient Egyptian sun god, is still of great importance in today’s occultism (see the “Eye of Ra”, the All-Seeing Eye). Roma may be a reference to the roman catholic church, but I’m not sure. This could be interpreted in many ways so I won’t linger on it.

I want your ugly
I want your disease
I want your everything
As long as it’s free
I want your love
(Love-love-love I want your love)

I want your drama
The touch of your hand
I want your leather-studded kiss in the sand
I want your love
Love-love-love
I want your love
(Love-love-love I want your love)

Right away, it is obvious that the love that Gaga is seeking is wrong and sick. She’s a sex slave and apparently, she likes it. She knows that the industry is ugly but she still wants in. There is an obvious sense of sadomasochism, as she seems to know that this love (of success in the music industry) will hurt her and treat her badly, but she’s up for it. As we will examine in the video, there is also a spiritual meaning to the lyrics where fame equals submitting to the dark, satanic side of the music industry. In other words, the song is also about submitting to evil and the imagery of the video corroborates this fact.

I want your horror
I want your design
‘Cause you’re a criminal
As long as your mine
I want your love
(Love-love-love I want your love-uuhh)

I want your psycho
Your vertigo stick
Want you in my rear window
Baby you’re sick
I want your love
Love-love-love
I want your love
(Love-love-love I want your love)

Here again, there is a mix of the “horror” of evil with hardcore sex references, which convey the fact that she wants to be “penetrated” by this evil influence in order to gain its favors. There are references to Hitchcock movies (Psycho, Vertigo) that are cleverly turned into sexually explicit lyrics.

During the bridge, Gaga sings emotionally “I don’t wanna be friends“. She does not want to be an outsider of the music industry, she wants to be part of it. Later she says “I want your love and, All your lovers’ revenge”, which means that she wants all of the attention of the music industry to the point that she also wants the “hate” of the artists who are jealous of her.

Of course, the lyrics are open to interpretation but the visuals of the video really give a particular meaning to the words. Gaga is not singing to a person, but to a group, an entity, an organization. She is singing to the Illuminati, to the music industry, to Baphomet: to the ones that have the power to make her famous. She wants to be part of that sinister and corrupt system and write aBad Romance with it.

Analysis of the Video

The video is dense with symbols and odd images. Some are significant while others seem to be random. It is obvious that the whole concept is a huge allegory for the reality of fame. She plays the role of a mind-controlled and drugged sex slave who is prepared to get auctioned to members of the Russian mafia. Here’s the video.

Main Story Line

The video starts with Gaga emerging from what looks like a high-tech coffin or maybe a sensory deprivation tank.

At the beginning of the video, she is deprived of her senses. Either her eyes, her ears or her nose are covered. Sensory deprivation is a torture technique used on prisoners or mind controlled slaves in order to “break” them and to facilitate their re-education. She is a beginner, an amateur and she doesn’t really know what she’s doing.

gaag1
Gaga can’t see or hear anything

In one scene, she is wearing thick sunglasses and talking to herself through a mirror.

gaag2

This is reminiscent of The Who’s Tommy movie, where a deaf, dumb and blind boy only becomes responsive when staring at the mirror.

TOMMY-ST-GER2
The Who’s Tommy is a movie about a boy who becomes deaf, dumb and blind after a traumatic event.

Gaga then bathes herself to “wash off her sins” as Gaga said in an interview about the video. She is “wide-eyed” and innocent but we’ll see that she’ll gradually turn into a “Fame Monster”.

gaag10
Innocent Gaga taking an innocent bath with her big innocent eyes

She is then roughly handled by two women. She fights them but she finally accepts her fate and even raises her hands in praise.

gaag3

Throughout the video, there is a back and forth between her being forced to go through with her duties as a slave and her willingness to go through with them. She is then forced to drink some vodka, which is in fact an MTV-friendly substitute for drugs. Mind controlled sex slaves are heavily drugged to numb their thoughts and make them easy to manipulate.

Gaga is then undressed and forced to perform in front of a bunch of men. Those mafioso can represent the Illuminati, the dark force ruling the music industry. The masks represent their hidden nature. Each individual represents a record company, and they are bidding to see who will sign her.

gaag4

Gaga seems to be well aware of what is happening and she chooses to charm a particular guy, who seems to have what she wants. The masked man seems to enjoy what is happening to him and bids to obtain her.

gaag5
One second left to the auction for the services of Lady Gaga

Gaga is then required to fulfill her duties as a sex slave by…you’ve guessed it… having sex with the winning bidder. So she proceeds into a very symbolic room.

gaag6
Her hands are strategically placed under the horned heads. Immediately after, a fire ignites the room.

On each side of the bed are gazelle heads, who symbolically refer to Baphomet, the horned idol of Western occultism.

baphomet1fy7

If you’ve read my other articles on the music industry, you already know of the frequent use of the likeness of Baphomet in music videos and pictures. My past articles on Gaga have shown her posing in the same way as the image above. Strategically placed horned heads have appeared in her past videos and photo shoots. Having said that, the presence of those horned heads in that room is not merely decorative, it is very symbolic.

Gaga is “offering herself” at the altar of Baphomet in order to become initiated and accepted into the Order. She does not want “to be friends” with the music industry, she wants to be an insider (she’s not a “Fame Monster” for nothing). So this offering gets consumed by fire, and not sex, because it is about Baphomet and not the Russian guy. He was just a means for her to obtain what she wanted..fame.

gaag7

When the fire starts, another scene plays simultaneously showing Gaga and masked dancers dressed in red, the color of sacrifice and initiation. The virginal white garments she wore during most of the video are replaced by bloody red, a visual confirmation of the fact that she is now initiated and accepted as an insider. In my article on the 2009 VMA awards (article here), we see that Lady Gaga and Taylor Swift start out the show wearing white garments and, after a symbolic performance, they appear completely dressed in red. The codes of the music industry seem to be used over and over again, in videos, award shows and photo shoots.

gaag8

Gaga then makes her trademark “Eye in the triangle” hand gesture after her initiation to make it clear who owns her now…the Illuminati.

The final scene shows Gaga lying in bed with the burned skeleton of the Russian mafiosi.

gaag9

Notice how everything is burnt except the two gazelle heads. The real “intercourse” happened between Gaga and Baphomet. The guy was a tool, a middle-man who was sacrificed in the process of Gaga’s initiation.

So Gaga basically went through the steps a mega-pop star has to go through in order to “make it big” in the music industry.  She ultimately got what she wanted and apparently played the game on her own terms. Let’s see how that works out for her.

Other Symbols

Aside from the main storyline, the video is riddled with numerous symbols and images which are occult in nature. Here are some of them:

Sun Symbolism

There are many symbols referring to the sun in the video. As said above, Ra is an Egyptian sun god who is mentioned many times in the magic incantation-like “Rah-rah” chant.  Sun worship has always been at the center of occult mysteries as it is considered to be the ultimate representation of God.

gaagsun1
Image of the sun in the razorblade shades. She is wearing a golden dress. Gold is representative of the sun in occultism.
gaagsun2
Golden sunlight bringing her back to life
gaagsun3
Gaga at the center of planetary orbits

Anti-Christian Symbolism

Christianity has always been at odds with occult secret societies. Persecutions and accusations come from both sides and one often defines itself by the negating the other. This is also represented in the video.

gaagchrist1
The word “Monster” with a Christian cross underneath it creates a not-so-subliminal unconscious association

The cross associated with the word “Monster” is also seen on her promotional pictures:

the-fame-monster-lady-gaga-8557541-400-400
Notice the position of her hands
gaagchrist3
A cross placed right on her “privates”. No matter what religion you are, you know this is not a sign of respect
gaagchrist2 copy
In this choreography, Gaga does what looks like the sign of the cross but her hand gesture describes a triangle instead (classic phallic symbol). Enjoy my brilliantly drawn triangle to help you visualize it.

Reptilian Monster Symbolism

In some scenes, Gaga gradually starts to look like reptilian monster, with a focus on the spine.

gaagrept
Emphasis on the spine
gaagrept3
Why is her spine glowing?
gaagrept2
Angry looking bat on her head
gaagrept4
Bulging spine… I’m not sure of what she is doing with her fingers either.

There is a great resemblance with the devil in this painting by Michael Pacher. Notice the spine.

Reptilian

In Conclusion

Lady Gaga’s Bad Romance is by far the densest and most symbolic video I’ve ever analyzed. It is a metaphorical yet accurate description of the steps which must be taken in order to become part of the “mega-pop-star machine”. Submission, control, business negotiations, initiation, secrecy and the embrace of dark forces are all represented in the video. Once decoded, the song describes indeed the Bad Romance of the music industry. The machine uses artists, it pimps them, it cheats on them with new, hotter artists and it finally dumps them when the initial appeal is lost.

Gaga, the “Fame Monster” wants to be treated that way, knowing that there is not any other way to obtain world-wide fame. One might be extremely creative and talented, however fame can only be achieved through the exposure  provided by the media corporations. They are owned by a secretive elite, represented by the masks on the faces of the bidders in the video.  Bad Romance, more than simply serving the required dose of subversive symbolism to the MTV generation, offers a chilling description of a music industry ruled by the elite. And now comes the hardest part: getting this damn song out of my head.

Lady Gaga, The Illuminati Puppet

Aug 4th, 2009 | Category: Music Business |1064 Comments

117K 13K 6127 216K
The symbolism surrounding Lady Gaga is so blatant that one might wonder if it’s all a sick joke. Illuminati symbolism is becoming so clear that analyzes like this one becomes a simple exercise of pointing out the obvious. Her whole persona (whether its an act or not) is a tribute to mind control, where being vacuous, incoherent and absent minded becomes a fashionable thing.
lady-gaga

Essential Background Information

What do you mean by “mind control”? I suggest you research “project MK Ultra” to get a little background information on the subject. Here’s a quick overview taken from the surprisingly accurate Wikipedia:

Project MK-ULTRA, or MKULTRA, was the code name for a covert CIA mind-control and chemical interrogation research program, run by the Office of Scientific Intelligence. The program began in the early 1950s, continuing at least through the late 1960s, and it used United States citizens as its test subjects. The published evidence indicates that Project MK-ULTRA involved the surreptitious use of many types of drugs, as well as other methods, to manipulate individual mental states and to alter brain function.

Project MK-ULTRA was first brought to wide public attention in 1975 by the U.S. Congress, through investigations by the Church Committee, and by a presidential commission known as the Rockefeller Commission. Investigative efforts were hampered by the fact that CIA Director Richard Helms ordered all MK-ULTRA files destroyed in 1973; the Church Committee and Rockefeller Commission investigations relied on the sworn testimony of direct participants and on the relatively small number of documents that survived Helms’ destruction order.

Although the CIA insists that MK-ULTRA-type experiments have been abandoned, 14-year CIA veteran Victor Marchetti has stated in various interviews that the CIA routinely conducts disinformation campaigns and that CIA mind control research continued. In a 1977 interview, Marchetti specifically called the CIA claim that MK-ULTRA was abandoned a “cover story.”

An outgrowth of that project is unofficially referred to as “Project Monarch”. It is a mind control technique which exposes the subject to a trauma so violent that his/her mind creates a dissociation. The victim’s brain becomes compartmentalized and a new personality, which is then molded and educated  by the manipulators, emerges.

“When a person is undergoing trauma induced by electroshock, a feeling of light-headedness is evidenced; as if one is floating or fluttering like a butterfly. There is also a symbolic representation pertaining to the transformation or metamorphosis of this beautiful insect: from a caterpillar to a cocoon (dormancy, inactivity), to a butterfly (new creation) which will return to its point of origin. Such is the migratory pattern that makes this species unique.”

During their reeducation, subjects are said to be exposed to numerous symbols such as trees, spider webs, masks, mazes, butterflies, etc. They are also shown movies which contain specific symbols (or “triggers”) such as The Wizard of Oz and many Disney Movies. The same way those subjects are brainwashed and reeducated, mass media conducts a large scale mind control project, which starts at birth with Disney movies and continues with Hollywood flicks and music videos.

(For more information on Monarch mind control, check out the article entitled Origins and Techniques of Monarch mind control.

OMG! What does this crazy stuff has to do with Lady Gaga? I luv her!!

What we must retain here is the symbolism Monarch project engendered and its use in mass media. Monarch is a type of butterfly and became the ultimate “insider’s”symbol of mind control. Symbolism surrounding Lady Gaga, in her pictures and videos, mixes those symbols with occultism of secret societies..  Her vacuous, robotic and slightly degenerate persona embodies all the “symptoms” of a mind control victim. Let’s look at what Lady Gaga represents, starting by the basics: her name.

Her Name

Gaga is a term that immediately refers to absent mindedness. Here are some synonyms taken from a thesaurus:

  • Given to lighthearted silliness: empty-headed, featherbrained, flighty, frivolous, frothy, giddy, harebrained, lighthearted, scatterbrained, silly.Slang birdbrained, dizzy.
  • Afflicted with or exhibiting irrationality and mental unsoundness: brainsick, crazy, daft, demented, disordered, distraught, dotty, insane, lunatic, mad, maniac, maniacal, mentally ill, moonstruck, off, touched, unbalanced, unsound, wrong.

“Gaga” is probably the easiest word to say in the English language, as it is often the first sound emitted by babies trying to imitate speech. So her name basically says: I’m a lady and I’m empty-headed. This empty head can filled with any crap you want. Imitate me young people. This state of mind is achieved after successful mind control.

Her name is also said to be inspired by  Queen’s song “Radio Gaga”. The video of this song contains many scenes of the 1927 movie Metropolis.  As seen in my article onBeyonce/Sasha Fierce, the motion picture tells the story of a woman from the working class that was chosen by the elite to give life to a robot, through a mix of science and Black magic.

Scene from Metropolis – Maria giving her likeness to a robot. Is this a metaphor for mind control? Notice the inverted pentagram in the background: Black magic.

This robot becomes a sexy and alluring performer and is given the goal to corrupt the working class. References to this movie abound in music videos, as if it was very significant for the occult elite. Madonna, Beyonce, Kylie Minogue and many others have taken the likeness of this female robot and, as you’ll see in the “Paparazzi” video, Lady Gaga also continues this “tradition”.

Her Logo

LadyGaga-02-big

Her logo is pretty revealing and particularly fitting. Its a headless female body with a bolt of lightning  going through her and exiting  her genitalia. There is once again a focus on the lack of conscious thought by the singer. The body looks like the weird headless mannequins you find at clothing stores. The bolt of lightning implies that her thoughtless body has been “charged” with a force that gives it life (interesting note: trauma-based mind control is often induced using electro-shock treatments).

All-Seeing Eye Symbolism

allseeingeye

You only need to look at a couple of Lady Gaga pictures or videos to notice that she is constantly hiding one of her eyes. Most people will simply interpret this  as ”a cool thing to do” or a “fashion statement”. Those who have passed the 101 of Illuminati symbolism know that the All-Seeing Eye is probably its most recognizable symbol. The gesture of hiding one eye, usually the left one, goes way back in occult orders. Here’s an explanation of the origin of the Eye of Horus.

Horus, the sun of Osiris and Isis was called ‘Horus who rules with two eyes’. His right eye was white and represented the sun: his left eye was black and represented the moon. According to the myth, Horus lost his left eye to his evil brother, Seth, who he fought to avenge Seth’s murder of Osiris. Seth tore out of the eye but lost the fight. The eye was reassembled by magic, by Thoth, the god of writing, the moon and magic. Horus presented his eye to Osiris, who experienced rebirth in the underworld.
-Dictionary of the Occult

One thing is for sure: Lady is Gaga for the All-Seeing Eye.

ladygagahills

09_h

Just-Dance--Lady-Gaga-ft-Colby-Odonis

gaga3ld4

LadyGaga-PokerFace

ladygagahandoffatimamannequin

This last picture is very significant. It confirms the fact that the closed eye is used in the context of esoteric symbolism. Her left eye is in her hand, referring to the Hand of Fatima (evil eye). Also, one can’t ignore the resemblance with good ol’ Baphomet. (For more information on Baphomet, read the article entitled Who is Baphomet?)

Baphomet

gaga2
All Seeing Eye on the backs of Gaga’s dancers during her Monster Tour.
horz
Baphomet Reminiscent horns

article-1233700-077FC8F7000005DC-565_306x423

How about this ad…could there by more pyramids and eyes?

Her Videos

Almost all of Lady Gaga’s videos contain occult symbolism and not-so-subtle hints referring to mind control. We’ll first look at a short video used as an intro during her tour.

Intro Tour Video

Lady G is talking in a vaporous  and robotic way, as if she was lobotomized, about a man who “swallowed her brain”.  Gaga is questioned by a man who is talking in a very strange and hypnotic matter. If this is not about mind control, I have no idea what its about.

Paparazzi Video

This video is loaded with symbolism but we’ll focus on the main story. It basically describes the fall and rise to the top of Lady Gaga, who, during the process, went through a huge metamorphosis.

papa1

Lady is in a bedroom with  her boyfriend and they’re “getting it on”. Notice the Masonic checkerboard pattern on the wall and a ram’s head, representing Baphomet. He takes her outside on the balcony (which also features a checkerboard pattern). After noticing cameras taking pictures, the guy starts acting strangely and things get violent. He finally pushes Lady off the balcony.

papa2

While falling down, the background becomes a swirling pattern, typically associated with hypnotism. Lady Gaga falls down rather stylishly, hinting the fact that this descent is not physical. It represents the “trauma” victims of mind control have to go through in order to be “rebuilt from scratch”.

Lady Gaga then enters a mansion in a wheel chair and gradually takes off her clothes.

papa3

She slowly starts walking, with the help of crutches, representing her reeducation by the occult elite (she is inside a mansion). She is dressed like a robot, hinting Maria from the movie Metropolis, as seen above. Another scene shows her dancing in a half white/half black wedding dress. This signifies her (forced) association with the “dark Brotherhood”. Her transformation is then complete.

We then see her next to the boyfriend that pushed her off the balcony.

papa4

She is wearing Mickey Mouse clothes, hinting once again Monarch programming. She is behaving in a very robotic way, as if her thoughts and actions were controlled by someone else. Gaga then proceeds to poison the guy and smiles very weirdly about it. The fact that she murdered her boyfriend refers to the level “Delta” of the Monarch project, which is also known as the “killer” programming. Here’s a description of it

DELTA. This is known as “killer” programming, originally developed for training special agents or elite soldiers (i.e. Delta Force, First Earth Battalion, Mossad, etc.) in covert operations. Optimal adrenal output and controlled aggression is evident. Subjects are devoid of fear; very systematic in carrying out their assignment. Self-destruct or suicide instructions are layered in at this level.
-Dr. Corydon Hammond, Project Monarch Programming Definitions

After carrying out her murderous mission, Lady Gaga is more popular than ever and reaps the rewards of being an Illuminati slave.

If you are still doubtful of the occult themes of this videos, check out this snapshot from the Behind the Scenes video of Paparazzi (available here).

The director of the Paparazzi is wearing a Venom shirt, bearing the face of Baphomet and the Sigil of the Church of Satan. So, there is a chance  that the director is slightly aware of those kinds of things.

Sigil of Anton Lavey’s Church of Satan
leadlady
Literally bound by “the Illuminated”

To Conclude

Lady Gaga incorporates in her videos, photos and shows symbolism that refers to the Illuminati and mind control. Her symbolism is deep, esoteric and even spiritual yet she makes song like “Just Dance” which is about being totally numb. This paradoxical aspect of Lady Gaga is something that deserves to be analyzed and understood. While masses of young people imitate Gaga’s gestures, her act is part of a bigger system that incorporates many other stars with the same symbolism.  She is creative and a gifted song writer. But at the end of the day, the “Lady Gaga” persona is a Fame Monster, doing everything required to be an international superstar, including incorporating in her act the symbolism of the elite, making her an Illuminati puppet.

What’s your opinion on the subject, Lady Gaga?

lady_gaga-eh-eh-nothing-else-i-can-say

That’s what I thought.

Lady Gaga, the Illuminati Puppet – Part 2

Oct 29th, 2009 | Category: Music Business |679 Comments

2142 505 141 7908
This article is the second part of Lady Gaga, the Illuminati Puppet. The first article, published in August 2009, analyzed the occult meaning behind Gaga’s photo shoots and videos. We’ve seen that a great deal of her symbolism revolves around occultism, secret societies and references to mind control. This article analyzes Gaga’s latest media and the fact her symbolism is still permeated by the same themes.leadgaga2
My first article on Stefani Joanne Angelina Germanotta called Lady Gaga, the Illuminati Puppet generated a great deal of interest and controversy. It got featured on many websites and I was deemed either a “genius” or “batshit crazy” depending on the point of view. I can confirm that I’m neither of those two things and that I’m just a guy who knows his symbolism. Many news sites and blogs linked to my article by deforming its original intent (probably for more sensationalism) by adding sarcastic remarks like “Oh No Lady Gaga Wants to Control our Minds!” or “The Crazy Lady Gaga Conspiracy“. I guess those reactions were to be expected. To people who are not acquainted with obscure concepts such as Monarch programming and occult symbolism, the whole thing might sound totally far fetched and ridiculous. But to those who have background knowledge and who have researched these topics (a small minority), I was simply stating the obvious.Since this article, Gaga has released more material re-using  exactly the same  themes as were discussed in the first article: mind control and secret society occultism. I have to hand it to Gaga, she knows how to generate buzz and controversy around her persona and keep people guessing. The great majority of people still have no idea what her symbolism refers to. So, at the risk of being called “batshit crazy” again here’s Lady Gaga’s latest occult pictures.

Masonic Photo Shoot

In my articles on Lady Gaga and the 2009 VMAs, I’ve identified the use and display of elements taken from Masonic symbolism. If my previous claims were considered inconclusive or “grasping at straws” by some, I wonder if they’ll remain skeptical of the presence of Masonic symbolism in pop culture after seeing this  set of photos, taken INSIDE A MASONIC LODGE,

01

If you have minimal knowledge of Freemasonry, you already know the great importance of the twin pillars Jachim and Boaz. They are depicted in a great number of Masonic works of art, such as this one.

Pillars of Solomon Temple

Gaga is standing between both pillars, wearing Hello Kitty shoes, occultly referring to mind control programming (innocence, childhood, re-education, etc). Her eyes are closed but she has wide-open eyes painted on her eyelids, which is very symbolic: her eyes seem open but they are still wide shut.

02

In the picture above, Gaga is sitting on a Masonic throne, complete with the twin pillars on each side of her. Above her head is the compass of Freemasonry:

pinsmasonlg

She is wearing a Hello Kitty dress and posing in a very mannequin-like stance. Her hands are positioned in way reminiscent of iconic art which displays the hermetic maxim “as above so below”.

04

In the  picture above, Gaga is standing next to the bust of an important Mason (easily recognizable by the collar). The “one eye” symbolism discussed in the previous article is still an intricate part of Gaga’s imagery. She is however far from being the only artist doing this (see Rihanna’s R Rated album cover). Hello Kitty is covering Gaga’s…kitty in another odd juxtaposition of Masonic symbolism with mind control, often found in entertainment photo shoots.

Maria from Metropolis Strikes Back

In the previous article, I’ve mentioned that the name “Lady Gaga” was taken from the Queen video Radio Gaga, in which many scenes were taken from the movie Metropolis. This movie is known for its highly occult themes (Black Magic, sacrifices to the pagan god Moloch, mind control, the whore of Babylon) and is very often referred to in the music industry.

In the movie, Maria, a girl from the working class, is “chosen” by the elite to give her likeness to a mind-controlled robot in order to confuse the masses. There is a dichotomy between the real and the false Maria that is also found in Gaga’s latest offering called Fame Monster.

32

In the above image, Gaga’s hairstyle is extremely similar to the robot Maria seen here:

metropolis00

In this scene from Fritz’s Metropolis, the android Maria is meant to embody the “whore of Babylon” from Revelation 17:

“So he carried me away in the spirit into the wilderness: and I saw a woman sit upon a scarlet coloured beast, full of names of blasphemy, having seven heads and ten horns.

And the woman was arrayed in purple and scarlet colour, and decked with gold and precious stones and pearls, having a golden cup in her hand full of abominations and filthiness of her fornication:

And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.

And I saw the woman drunken with the blood of the saints, and with the blood of the martyrs of Jesus: and when I saw her, I wondered with great admiration.

And the angel said unto me, Wherefore didst thou marvel? I will tell thee the mystery of the woman, and of the beast that carrieth her, which hath the seven heads and ten horns.”
-Revelation 17

The false Lady Gaga is opposed to the real, natural and apparently unhappy Lady Gaga.

03

Other Mind Control Related Pictures

22
This metallic head is a pretty blatant reference to an alternate personality, as developed in MK Ultra programming.
21
A literal veil in front of her eyes.
normal_01
Is it Baphomet’s head on her head?
ladygagacomputermask
Living in a programmed reality

In Conclusion

Since the publishing of the first article, Lady Gaga’s symbolism has continued to exploit the same themes as were previously discussed. Although she is very smart and educated in symbolism, the settings of the pictures are the creations of photographers, stylists and other “consultants”. Whether she is commenting on the mind control phenomenon in mass media or simply a victim of it is still hard to determine but one thing is for sure: the symbolism is there and that’s the goal of the article. What is more unsettling is the fact that those themes are not exclusive to Gaga. They are associated with many acts in the music and the fashion industry to a point that one inevitably realizes that these artists are pawns of a greater machine, pushing its symbols through various outlets. References to mind control, to secret societies, to Baphomet and to Metropolis are too widespread to be coincidences or results of artistic expression. There is an obvious media campaign pushing these elements into pop culture. What should we do about it? MTV says: Just dance.

05

The Hidden Meaning of Lady Gaga’s “Telephone”

Mar 14th, 2010 | Category: Music Business |1816 Comments

2490 599 190 23.5K
Lady Gaga’s 9-minute video featuring Beyoncé is steeped in weirdness and shock value. Behind the strange aesthetic, however, lies a deeper meaning, another level of interpretation. The video refers to mind control and, more specifically, Monarch Programming, a covert technique profusely used in the entertainment industry. We’ll look at the occult meaning of the video “Telephone”..

Just when I thought I’d written everything I had to write about Lady Gaga, Telephone comes out. An inevitable deluge of e-mails instantly followed, demanding an article about it. So I watched the video and, gosh darnit, the people who wrote those e-mails were right. There are, yet again, a whole bunch of Illuminati/mind control symbols in Lady Gaga’s latest video. I can’t say I was surprised, however, knowing that Jonas Akerlund co-wrote and directed the video. In the articleLady Gaga, the Illuminati puppet (which I suggest you read before this one), I dissected the Akerlund-directed video Paparazzi and its references to mind-control programming. Telephone acts as a sequel to Paparazzi, where Gaga still plays the role of a mind-controlled drone who kills people. This concept is never openly discussed by the artists when they are asked to explain their videos because it is not meant to be understood for the masses. The hidden meaning of the video actually depicts the elite’s contempt for the general population, hence the scene of ritual murder of average Americans in a diner by mind-controlled slaves. Don’t know what the hell I’m talking about? Keep reading.

The Hidden Meaning of the Song

When I first heard Telephone on the radio, I thought the song was about Lady Gaga receivingphone calls from an annoying dude while she’s out in a club. I could already picture a video of Gaga on a dance floor not answering her cellphone. I’ve imagined this video because I was interpreting the song at its face value and going by its literal meaning, like most people do. Akerlund’s video has however infused a second, deeper meaning to the song, giving it an entirely new dimension. In an interview with E! Online, Gaga herself explained this fact:

“There was this really amazing quality in ‘Paparazzi,’ where it kind of had this purepop music quality but at the same time it was a commentary on fame culture. In its own way, even at certain points working with Jonas Åkerlund, the director of both videos really achieved this high art quality in the way that it was shot. I wanted to do the same thing with this video—take a decidedly pop song, which on the surface has a quite shallow meaning, and turn it into something deeper.”
– Source

What is never stated, however, is that this “deeper meaning” found in Gaga’s video relates to mind control, a covert practice used by the military, the CIA, religious cults and the Illuminati elite. It is used to program human beings to become mental slaves and to execute specific tasks. InPaparazzi, Gaga plays the role of a mind-controlled slave who was “programmed” to poison and kill her boyfriend. Telephone is a continuation of this story, where Gaga goes to jail for her crime.

In the video, the “telephone” is a metaphor for Gaga’s brain and the fact that she is not answering that phone (her brain) means that she has “dissociated” from reality. Dissociation is the ultimate goal of Monarch mind control. It is induced by traumatizing events, such as electroshock therapy or torture, to force the victim to dissociate from reality. This enables the handlers to create in the victim an alter personality that can be programmed to perform various tasks, such as carrying out an assassination.

“Trauma-based mind control programming can be defined as systematic torture that blocks the victim’s capacity for conscious processing (through pain, terror, drugs, illusion, sensory deprivation, sensory over-stimulation, oxygen deprivation, cold, heat, spinning, brain stimulation, and often, near-death), and then employs suggestion and/or classical and operant conditioning (consistent with well-established behavioral modification principles) to implant thoughts, directives, and perceptions in the unconscious mind, often in newly-formed trauma-induced dissociated identities, that force the victim to do, feel, think, or perceive things for the purposes of the programmer. The objective is for the victim to follow directives with no conscious awareness, including execution of acts in clear violation of the victim’s moral principles, spiritual convictions, and volition.

Installation of mind control programming relies on the victim’s capacity to dissociate, which permits the creation of new walled-off personalities to “hold” and “hide” programming. Already dissociative children are prime “candidates” for programming”.
– Ellen P. Lacter, Ph.D., The Relationship Between Mind Control Programming and Ritual Abuse

Gaga’s brain as a non-answering telephone is represented in two separate occasions during the video:

Gaga’s head is the telephone. She is not answering that phone, which is symbolic of her dissociative mind state.
The telephone receiver is made out of hair and covers her left eye, representing Illuminati mind control

So in the context of the video, the telephone is Gaga’s mind and the dance club is representative of her dissociative state, the “magical place” mind-controlled slaves are trained to escape to during traumatic events.

“Hello, hello, baby
You called, I can’t hear a thing.
I have got no service
in the club, you say, say
Wha-Wha-What did you say, huh?
You’re breaking up on me
Sorry, I cannot hear you,
I’m kinda busy.

K-kinda busy
K-kinda busy
Sorry, I cannot hear you, I’m kinda busy.”

By “kinda busy”, Gaga means she has dissociated from reality. Real life is calling her brain but she “has no service”, she’s not there. The chorus pretty much epitomizes this concept.

“Stop callin’, stop callin’,
I don’t wanna think anymore!
I left my head and my heart on the dance floor.
Stop callin’, stop callin,
I don’t wanna talk anymore!
I left my head and my heart on the dance floor.”

Gaga is not thinking or talking for herself anymore, her head and her heart have been dissociated from her core personality due to Monarch programming.

Video Analysis

The video is a Quentin Tarentino-esque short film which is heavily inspired by Thelma and Louiseand peppered with tons of product placements and transvestites. That surely wasn’t the video I was picturing when I first heard that song. From the comments I’ve read, the video left many fans confused about its meaning. This is quite understandable, knowing that most viewers have no idea what the song is really about. When the hidden “mind control” meaning is brought to light, the symbolism of the video becomes evident and the storyline becomes more coherent. I will now attempt to go through the many symbolic scenes of the video and explain their occult meaning. Here’s the video:

The video starts with Gaga entering the “Prison for Bitches”. So, yeah, I know, she addressed that hermaphrodite rumor and many think it was the most hilarious thing ever. I’ve never really cared about those gossipy rumors so I won’t elaborate on them.

In the prison yard, Gaga walks around chained up and wearing sunglasses made of lit cigarettes.

Do the cigarettes covering her eyes represent her blindness to her highly toxic life as a mind controlled drone?

Gaga then sits down and “gets busy” with a weird-looking inmate, but is interrupted by a phone call. She seems to be enjoying a special status in the jail … maybe due to the fact that she is a slave only obeying orders … and that she is needed again.

Gaga is then bailed out by Beyoncé and leaves prison. Inside the car, Gaga and Beyoncé engage into a highly dissociative conversation. It basically sounds like dialogue between two mind-controlled slaves. The phrase “Trust is like a mirror. You can fix it if it’s broke but you can still see the crack in the motherfucker’s reflection” can refer to a cheating boyfriend and can also refer to the permanent damage caused by the fragmenting of one’s personality in mind control.

The dynamic duo then enters an all-American, good ol’-fashioned diner.  Beyoncé meets with probably the biggest douche in the universe (played by Tyrese Gibson) and proceeds to poison him. At this point, Gaga comes out of the kitchen with poisoned honey and serves it to the customers.

Gaga stares blankly (the way a dissociated mind-controlled assassin would stare) while Tyrese eats the poison

The mass murder begins … people eat up Gaga’s poisoned honey and die. Does this represent the Illuminati elite poisoning the masses with toxic media?

Lady Gaga turns the a-ok hand in front of her eye (representing the Illuminati’s “All-Seeing Eye”) into a gun pointed towards the viewer … the masses eating all of the poison served to them.

The entire clientele of the all-American diner gets poisoned and dies. You might have noticed the emphasis on “bees” and “honey” during the entire video. Gaga calls Beyoncé “Honey Bee”. She also serves poisoned honey to the diner’s customers. What does this signify? Beyoncé and Gaga’s poisonous honey is actually their music and videos, which are served to the general public through mass media. You can figure out the rest.

While the customers are agonizing and dying, Beyoncé puts on the Mickey Mouse sunglasses, the same glasses worn by Gaga in Paparazzi while killing her boyfriend.

Beyoncé wearing Mickey Mouse sunglasses
Gaga with Mickey Mouse sunglasses in Paparazzi

In both videos, the singers wore the glasses during the killings, hinting to the fact that they are programmed to execute the poisonings. As stated in previous articles, Mickey Mouse ears or designs often occultly refer to mind control , probably because Disney films were known to be used on MK slaves during their programming.

Gaga and Beyoncé then start dancing in “patriotic” outfits surrounded by the lifeless bodies of dead Americans … pretty disturbing.  In her interview with E! Online about Telephone, Gaga stated she wanted to take

“the idea that America is full of young people that are inundated with information and technology and turn it into something that was more of a commentary on the kind of country that we are.”
– Source

Is that what she meant?

To sum up the situation in the diner, we have Lady Gaga and Beyoncé dancing around dead people and singing about the fact they are dissociative, mind-controlled drones.

“Can call all you want,
but there’s no one home,
and you’re not gonna reach my telephone!”

Gaga and Beyoncé finally flee the crime scene. Gaga is then shown in front of the Pussy Wagonwearing a leopard-print suit, a reference to “sex kitten” programming.

Beta (aka Kitten) Programming

BETA. Referred to as “sexual” programming. This programming eliminates all learned moral convictions and stimulates the primitive sexual instinct, devoid of inhibitions. “Cat” alters may come out at this level.
-Ron Patton, Project Monarch

In the final scene, Gaga and Beyoncé prance around wearing dresses by Emilie Pirlot. Beyoncé’s black dress and the veils hint to the ritualistic nature of the murders.

Illuminati Signs

As stated in previous articles, the hiding of one eye and the “a-ok” sign (which seemingly means 666 in the music industry) are flashed by all Illuminati artists, apparently to show their allegiance. There are a truckload of them in this video.

One Eye Hidden

Gaga dressed in police tape, covering one eye. Knowing the trauma mind control victims must go through, her body is truly a crime scene.

A-Ok Handsign

Electroshock Therapy

Electroshock therapy is the main tool employed by mind control handlers to induce dissociation and fragmentation in the victims. This horrifying practice has been referred to several times in Gaga’s works. Here are two examples.

Manifesto of Little Monsters

In this interlude video of the Monster Ball Tour, Gaga clearly gets electroshocked:

David Lachapelle Photoshoot

Another instance where Gaga gets electroshock therapy.

In Conclusion

Telephone is yet another Lady Gaga product permeated with references to mind control and Illuminati symbolism. Gaga’s “commentary” on today’s youth is certainly not a positive one. The video basically says: America is ready to eat any poisonous crap the elite serves them, and that is accomplished through controlled puppets. I will now pre-address comments I’m bound to receive:

“How is Lady Gaga mind controlling me? I’m not feeling controlled to do anything”
I am not saying that Gaga is controlling your mind. I’m saying her video is ABOUT mind control. This disturbing theme keeps reoccurring in pop music.  What you should ask yourself is this: does mass media shape and mold our society’s values and beliefs? Billions of dollars invested yearly in marketing say yes.

“Your articles are a form of mind control.”
Someone voicing an opinion on a website is not a form of mind control. Quite to the contrary, it is a freedom guaranteed by the first amendment. To compare this article to the ritual abuse mind control victims have to go through is a total aberration. If you were forced to read out loud this article numerous times while being  deprived of food and sleep, then maybe it could qualify as mind control.

“She is doing it on purpose to piss you off”
I heard this comment when Bad Romance came out and after her Grammy performance, where her hype man alluded to her “mind-controlling music”. As much as I would like to believe that I’ve got that much influence on today’s biggest star, I highly doubt that Gaga, her staff, her video directors and her record label with its millions of dollars would concentrate all of their creative efforts to piss off one blogger. The truth is: She was doing this before this site was even online and she keeps doing it now. Her works, like the works of many other pop stars, are part of a greater agenda. It used to focus on exposing the youth to materialism and sexual promiscuity, but it has now expanded to occult symbolism, mind control and transhumanism.

Am I reaching you or is your telephone busy?

Lady Gaga’s “Alejandro”: The Occult Meaning

Jun 13th, 2010 | Category: Music Business |1788 Comments

22.2K 1464 5532 43.9K
Lady Gaga’s Alejandro video caused quite a stir with the blasphemous nature of its imagery. Many people are, however, still wondering: What is the meaning of the song and what message is the video trying to convey? This article examines the occult symbols used in Alejandro in order to understand its underlying message.
So, by show of hands, who envisioned gay Nazi soldiers being raped by Lady Gaga while first listening to Alejandro? Okay, counting … one person. One sick, disturbed person. But seriously, art doesn’t have to be literal and Lady Gaga’s latest video surely isn’t. As was the case with Bad Romance and Telephone, the video for Alejandro adds another layer of interpretation to the song by giving the words a deeper meaning.Taking place in a cold, Orwellian, militaristic setting, the visuals of the video sharply contrast with the “summer-y” Latin beat of the song. Other opposing concepts collide and blend in the video as well: good vs. evil, male vs. female and domination vs. submission. The religious symbolism, in addition to adding the “shock factor” necessary to get people talking, gives the song a definite spiritual connotation.The video for Alejandro is very symbolic and leaves it open for multiple interpretations. For instance, I’ve read an interpretation of the video claiming that it portrays the Catholic church’s repression of the gay community. This interpretation might have some validity to it, but it ignores many important aspects of the video. Other observers seem to believe that all videos with religious imagery are “tributes to Madonna.” Yes, Madonna did Like a Prayer, but this doesn’t explain anything in Gaga’s video. In addition to a possible tribute, the symbolism of the video tells a story of spiritual rejection and metamorphosis taking place in the context of an oppressive police state. The trend of incorporating militaristic and oppressive imagery in recent music videos has been discussed in some previous articles on Vigilant Citizen.The video was directed by Steven Klein, a well-established photographer in the fashion industry. He has worked with Calvin Klein, Alexander McQueen, Madonna, Nike and many others. His photographic style often exploits the theme of homoeroticism and he obviously carried that theme into this video format.We will attempt to decode the symbolism of the video and how it relates in today’s context. Here’s the video:

Spiritual Transformation

The most prevalent theme in the song is rejection. The introduction of the song establishes this concept right away:

“I know that we are young.
And I know you may love me.
But I just can’t be with you like this anymore,
Alejandro.”

The video starts with a funeral procession. Gaga wears a black veil and holds the Sacred Heart, the bleeding heart of God for humanity. Something is dead inside of Gaga and it seems to be her love for Alejandro.

Is there a syringe in the Sacred Heart?

But who is Alejandro? A gay guy she cannot be with? A man she is cheating on with Roberto and Fernando? All possibilities, the song is not quite clear about that. The imagery of the video, however, tells the viewers that Alejandro might stand for something deeper.

In a later scene, Gaga is shown laying down, wearing a red latex nun suit and holding a rosary.

Looking at the sky she says: “Stop, please, just let me go.” Then, just when she says “Alejandro,” she raises her hands to  the sky. In this context, it is safe to say that Alejandro might very well be God.

“She hides true love
En su bolsillo.
She’s got a halo ’round her finger,
Around you.”

The halo around the finger is a wedding ring and Alejandro has a halo around him, which signifies he is considered “holy.” The wedding ring represents Gaga’s union with God through religion, but she is now ashamed of this marriage. She hides the ring in her bolsillo, the Spanish word for pocket. Why does she refer to a Fernando and a Roberto at some point? Is she referring to the triple aspect of God, the holy Trinity?

The concept of rejection is thus applied to God as he does not seem to satisfy Gaga’s spiritual needs. She then decides to seek godhood herself by embracing a new type of spirituality. It seems to me the nun becomes a Luciferian priestess.

Luciferian priestess hiding one eye as a sign of Illuminati control or loyalty

Inverted Cross

Gaga’s robe contains many inverted crosses. This is extremely significant in symbolic language. The cross is a symbol of the Christian faith as it represents Jesus Christ’s sacrifice and resurrection. In Christianity, the inverted cross is known as the “Cross of St. Peter”, in honor of Simon Peter who requested to be crucified upside down because he felt unworthy to be put to death in the same matter as Christ. In non-Christian circles, however, the inversion of the cross represents the perversion and desecration of what it symbolizes. For this reason, inverted symbols are found in black magic and satanism.

“In symbolism, an inverted figure always signifies a perverted power (…) Black magic is not a fundamental art; it is the misuse of an art. Therefore it has no symbols of its own. It merely takes the emblematic figures of white magic, and by inverting and reversing them signifies that it is left-handed.” – Manly P. Hall, Secret Teachings of All Ages

Inverted cross and inverted pentagram as satanic symbols

The inverted cross, placed on Gaga’s crotch, becomes a phallic symbol. Superimposed and combined with her female genitals, the theme of androgyny becomes prevalent. In occult circles, the alchemical transformation of the spiritual matter, the Great Work, must unite both opposing energies.

Becoming a God

The rosary is a set of beads used in Catholic tradition for prayer and meditation. By swallowing the rosary, Gaga incorporates within her a symbol of religious devotion because 1) it is shocking and would get media attention 2) represents Gaga seeking to obtain godhood by her own means. We have here a symbolic representation of the tenets of Luciferianism, which is the drive to attain divinity by one own means. Lucifer is considered to be the active principle towards godhood, the one who brought “divine light” to the humans.

In another scene, Gaga is shown giving the sign of benediction and blessing, a gesture reserved in Catholicism to those who are considered Holy.

A classic image of Christ showing the sign of Benediction and pointing towards the Sacred Heart

Later in the video, Gaga is violently pushed around and abused by the dancers surrounding her. She surrenders and removes her robe for sexual, ritual initiation.

At the ending of the video, Gaga is consumed from within and her “inner light” comes out, representing her transformation from the physical to the spiritual plane. Gaga’s performance atAmerican Idol truly exploited the Luciferian theme of the song.The performance takes place in a setting reminiscent to the Garden of Eden, where the “Fallen Angel”–Lucifer, the one who was banished from Heaven and tempted Adam and Eve with divine knowledge–presides over the ceremony. Fire comes out of the angel’s wings (after all, he is the “Light Bringer”) each time Gaga says “Alejandro.” At the end of the performance, Gaga is lifted up under the Fallen Angel as a blood-red liquid oozes out from the fountain underneath him. Another ritual sacrifice has taken place on prime-time television.

Police State Imagery

Gaga’s spiritual transformation is taking place in a dark, oppressive and militaristic backdrop. This trend in music videos has been discussed in  The Transhumanist and Police State Agenda in Pop Music.  The article describes how the public is currently being bombarded with militaristic and oppressive imagery, intertwined with sexuality, in order to desensitize the public and create a subconscious positive association. Alejandro is clearly a continuation of this agenda set by the rest of the industry. During the entire video, we see in the background a giant screen displaying scenes of social unrest, buildings on fire and military police running around, placing the viewers in a tense and oppressive ambience.

The video opens with men marching to a militaristic rhythm, some of them having their heads covered, maybe hinting that those men are prisoners of some sort. One of men is inside a pyramidal shape while another holds a hexagram as the prisoners march. Is this a representation of the masses marching to the rhythm of the elite, holding up high the symbols of its own oppression? Gaga is then shown in a position of power, wearing a black, illuminated crown while looking over the prisoners performing for her.

The “Black Queen” removes one goggle at a time, flashing the Illuminati All-Seeing Eye sign (discussed in many previous articles on this site) and revealing the true nature of her power.

Again, One-Eye hinting to the nature of the oppressive force

In this scene, Gaga wears a “gun bra,” in accordance with the agenda of the sexualization of oppressive imagery. Her back-up dancers are dressed in uniforms reminiscent of dictatorships of the era of Hitler, Stalin, Franco and Mussolini. Political oppression is indeed sexy … oh wait, no, it’s not … it actually goes against everything America supposedly stands for.

Mind Controlled Slaves?

In a symbolic scene,  a soldier is shown attached to strings, like marionette. He is not in control of his own movements and holds a gun on his privates (more sexualization of weaponry). He stares blankly, looking confused as a mind-control slave would.

In what looks like an internment camp, Gaga has the gay men bound to a bed as she rapes them, in what looks like a reenactment of ritual abuse.

In the final scene of the video, Gaga is shown attached to strings. Is she herself controlled into perpetuating this agenda?

In Conclusion

As stated above, the video to Alejandro is very complex and symbolic, and lends itself to multiple interpretations, depending on the viewer’s knowledge and point of view. There are, however, parts of the video in which the symbolism is clear and concise, leaving little doubt regarding the message being communicated. During the video, Gaga goes through a very profound metamorphosis, rejecting Christian faith by desecrating its symbols and embracing a new type of spirituality. Is Gaga’s transformation a representation of the transformation that is currently happening on a worldwide scale? Are members of the elite, who were thought to be part of “regular” religions, revealing their true, Luciferian selves to the public? Will the New World Order leave traditional religions in the dust to embrace a new type of spirituality? Whatever the case may be, pivotal videos such as this one disseminate into the collective unconscious a specific set of symbols and values that will become, in time, “part of our culture.” In order to achieve this, charismatic figures that are admired by the public are used make those messages cool and trendy. Music fans have been subjected to an intense creative drought in the past years, which caused them to be desperate for a new, eccentric and iconic presence. So Lady Gaga comes into the picture, slightly distances herself from the painfully formulaic music acts and is heralded as the new pop princess. She also brings with her all of the Illuminati agenda and flashes in her fans faces the symbols of their own oppression. I’m sure many fans have a gut feeling that something is wrong with her act, but still can’t stop listening to her. They must tell themselves, “well, there is nothing else to listen to.” And that’s what media monopolies are all about.

Related Posts Plugin for WordPress, Blogger...

 

JPL — The occult roots of NASA

Jack Parsons, dedicated occultist and chemist of genius, was born in 1914 and died in 1952 in a mysterious explosion whose cause has never been fully explained. He was a tall handsome Californian, whose early work on highly volatile rocket-motor fuels was regarded highly enough for French scientists of a later generation to name a crater on the dark side of the moon after him. Parsons introduced into early American rocketry a range of exotic solid and liquid fuels whose later forms were eventually to help drive Apollo 11 to the Moon. He helped create the Jet Propulsion Laboratory (JPL –sometimes referred to as “Jack Parson’s Laboratory”) in Pasadena, now a major industrial complex. .
Parsons was certainly ahead of his time in things other than rocketry. Before each test launch, he was in the habit of invoking Aleister Crowley‘s Hymn to Pan, the wild horned god of fertility. Parsons was an active member of the California Agape Lodge of the sex magickal group Ordo Templi Orientis (OTO), and in letters addressed The Great Beast (Crowley) as “Most Beloved Father”.

The Babalon Workings
In August 1945, on leave from his less than spectacular naval career, Scientology founder L. Ron Hubbard was introduced to Parsons. Jack was impressed by Ron’s exuberance and energy and wrote in a letter to Crowley: “I deduced that he is in direct touch with some higher intelligence. He is the most Thelemic (Crowley’s branch of magic) person I have ever met and is in complete accord with our own principles”. Hubbard moved in and promptly gained the affections of Parsons’ main squeeze, 19-year-old Betty Northrop. He was soon initiated into the secrets of the OTO and made Parsons’ magical partner.

from: http://www.forteantimes.com/articles/132_parsons.shtml

Jack Parsons 

from http://www.rotten.com/library/bio/mad-science/jack-parsons/

Jack Parsons was one Hell of a guy, and not just because he might have been theAntichrist.John Whiteside Parsons was born in 1914, a child of wealth and privilege in unholy Los Angeles. His father took a hike while Parsons was a teen, and like so many other kids, young Jack successfully summoned Satan to assuage his loneliness. Hey, haven’t we all been there?

The departure of his father also left Parsons with an Oedipal fixation on his mother, according to his biography Love and Rockets (the author adds that later in life, Parsons is rumored to have filmed himself working through his complex through the novel approach of actually having sex with Mom).

Parsons was a bit of a wunderkind in two key areas — the occult and rocket science. Parsons legitimate claim to fame was in the latter field. He was by all accounts a brilliant chemist, who made major breakthroughs in designing the chemical composition of liquid rocket fuels.

Parsons’ fuel mixtures eventually helped America land on the moon (Ha! A likely story!) According to countercultural journalist Richard Metzger, Werner von Braun claimed that Parsons (a high-school dropout) was the true father of the American space program. Parsons helped create the famous Jet Propulsion Laboratory in Pasadena (the JPL, also affectionately called the “Jack Parsons Lab”).

You would think all this scientific achievement would be enough for one person in one lifetime, but Parsons had a much loftier set of ambitions. He wanted to tear down the walls of time and space, and he had an entirely non-scientific set of ideas on how to do it.

Parsons had always been interested in occultism, but his path to notoriety really started in 1941, when he joined the California-based Agape lodge of Aleister Crowley’s Ordo Templi Orientis. Parsons threw himself into the Eastern-inspired mysticism and hormonally inspired sex magic of Thelema, the religion Crowley had either devised or channeled from beyond, depending on your point of view.

Parsons was an immediate success. He quickly took over the Agape lodge. Crowley and his associates spoke of him as a potential successor to the Great Beast himself.

One of Parsons’ best pals in the OTO was a young L. Ron Hubbard. They shared a zest for the work, as well as a mistress. One of their big projects was the notorious Babalon Working. The ritual was supposedly intended to create a new age of free love by shattering the confines of four-dimensional space time, but the major portion of it appears to have been primarily focused on getting Parsons laid.

The first stage of Babalon involved invoking an “elemental mate” — which, fortuitously enough for Parsons, turned out to be a voluptuous redhead named Marjorie Cameron, who would later emerge as a star of occult-oriented films by experimental filmmaker Kenneth Anger.

Flush with the thrill of success, Parsons and Cameron set out to perform part two of the Babalon working, with Hubbard taking notes: Wild monkey sex with the goal of creating a “moonchild.” A moonchild in this context is best described as an Thelemic messiah, a magic homonculus monster child along the general lines of “Rosemary’s Baby.”

Phase Two collapsed on itself when Hubbard left town with a mistress and (allegedly) a substantial sum of money, both of which had previously been attached to Parsons. So if you’re angrily wondering why the Earth isn’t currently sex-soaked carnal paradise of peace, you can blame Hubbard.

Parsons got into a bit of a funk in the post-Hubbard era, which is reflected in the evolution of his magical work. Parsons’ next big project turned out to be the “Book of the Antichrist,” which is unsubtle making the connection clear:

“Now it came to pass even as BABALON told me, for after receiving Her Book I fell away from Magick, and put away Her Book and all pertaining thereto. And I was stripped of my fortune (the sum of about $50,000) and my house, and all I Possessed. Then for a period of two years I worked in the world, recouping my fortune somewhat. But that was also taken from me, and my reputation, and my good name in my worldly work, that was in science.”

Parsons “swore the Oath of the Abyss, having only the choice between madness, suicide, and that oath. (then) I took the oath of a Magister Templi, even the Oath of Antichrist before Frater 132, the Unknown God. And thus was I Antichrist loosed in the world; and to this I am pledged, that the work of the Beast 666 shall be fulfilled.” Who knew it was so easy?

Apparently noting that Antichrist is only a few letters away from “anarchist,” the manifesto that follows is in large part an exhortation to “do what thou wilt” in most things bodily-fluid-drenched, economic and/or political. The goal of all these efforts, according to Metzger, was to bring on the Apocalypse, since in theory things can only get better from there.

By now you may be thinking “What a load of crap!” But the FBI, none too keen about the notion that Parsons’ taxpayer-funded salary might be supporting the Antichrist and the hastening of the Apocalypse, took it seriously enough to open an investigation.

Documents recently released through the Freedom of Information act make up 130 pages of heavily redacted text in which G-Men try to make sense of Parsons’ religious beliefs and document his frequently careless handling of classified materials.

Parsons died in 1952 in his home laboratory, in an explosion generally characterized as “mysterious.” Various theories suggest that the explosion was the result of old grudges by his enemies, a sinister plot by the FBI, a magical experiment gone bad, the fact that his garage was filled with lots of explosive chemicals, or some combination of the above.As for Babalon? Well, the jury is still out on the Apocalypse, but it’s worth noting that within two years of the Babalon workings, which began in 1946, the first Atomic Bomb was detonated, the Roswell crash sparked a rash of UFO sightings that continues to this day, and LSD was invented.

In other words, things got a lot weirder, and they’re getting weirder every day. Parsons is legitimately one of the fathers of the space program, after all, which is no small thing. Maybe he knows something we don’t… or maybe, in the end, he was just a sex-crazed maniac.

More about Jack Parsons in the book: Sex and Rockets: The Occult World of Jack Parsons

About Crowley and the OTO:   

http://www.rotten.com/library/bio/religion/aleister-crowley/ 

Aleister Crowley was a mountain climber, homoerotic poet, ritual magician, heroin addict,  sleazy womanizer, racist, German collaborator, British secret agent and pedophile.

Ordo Templi Orientis   Crowley was approached by the Ordo Templi Orientis, which invited him to take on a leadership role. The OTO claims to integrate “Freemasonic, Rosicrucian and Illuminist movements of the 18th and 19th centuries, the crusading Knights Templar of the middle ages and early Christian Gnosticism and the Pagan Mystery Schools.”

The leader of the OTO was a German named Theodor Reuss, a former Freemason and Illuminatus. He initiated Crowley into the sect in 1910 and in 1912 granted the Beast a charter to launch a British branch of the secret society. Crowley moved to the United States in 1914, at the onset of World War I, setting up shop in New York.

In New York, Crowley continued recruiting students and began rewriting the charters of the O.T.O. to better suit his beliefs. Starting from a base structure very similar to the Freemasons, Crowley added several significant elements to the OTO’s repertoire. He legalized the initiation of women into its ranks, wrote modernized English-language rituals for its members, streamlined initiation and degrees to more quickly advance members through the ranks, and integrated Thelema into the OTO’s core mission, placing the Book of the Law at the center of its teachings.

In the early 1920s, Crowley took control of the O.T.O. under ambiguous circumstances. Reuss allegedly suffered a stroke in 1920, an assertation which Crowley used to politick his way to the top of the hierarchy. He was the titular head of the OTO until his death in 1947.

One of Crowley’s most-lasting (but entirely unintended) contributions to the world of religion came from one of the OTO’s American branches, led by self-proclaimed “Antichrist Superstar” Jack ParsonsParsons ran a California OTO lodge that attracted a young L. Ron Hubbard as an aspirant. According to OTO lore and various biographies, Hubbard allegedly joined the group and engaged in an affair with Parsons’ mistress (with Parsons’ knowledge).